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A few examples include Memphis Minnie's "Dirty Mother For You" (1935), Roosevelt Sykes' "Dirty Mother For You" (1936), and Dirty Red's "Mother Fuyer" (1947). The singer Stick McGhee , whose recording of "Drinking Wine Spo-Dee-O-Dee" was a hit in 1949, claimed that he had originally heard the song as "Drinking Wine, Motherfucker".
"Two bits" is a term in the United States and Canada for 25 cents, equivalent to a U.S. quarter. "Four bits" and "six bits" are also occasionally used, for example in the cheer "Two bits, four bits, six bits, a dollar." The final words may also be "get lost", "drop dead" (in Australia), [citation needed] or some other facetious expression.
Passionate, emotional. A related term is Pathetique: a name attributed to certain works with an emotional focus such as Tchaikovsky's 6th symphony. pausa rest pedale or ped In piano scores, this instructs the player to press the damper pedal to sustain the note or chord being played. The player may be instructed to release the pedal with an ...
Born right smack on the cusp of millennial and Gen Z years (ahem, 1996), I grew up both enjoying the wonders of a digital-free world—collecting snail shells in my pocket and scraping knees on my ...
The slang usage of “mother,” says McLean, came from “Black and Latinx LGBTQ+ people who created an underground ballroom scene and Houses for members to find community and family,” for ...
Mother. It's an endearing term colloquially used to refer to a female figure who brings forth new life. But the word—which has been adopted by Gen Z and others who are up-to-date with internet ...
Locked hands style is a technique of chord voicing for the piano. Popularized by the jazz pianist George Shearing, it is a way to implement the "block chord" method of harmony on a keyboard instrument. The locked hands technique requires the pianist to play the melody using both hands in unison.
The Grandmother chord is an eleven-interval, twelve-note, invertible chord with all of the properties of the Mother chord. Additionally, the intervals are so arranged that they alternate odd and even intervals (counted by semitones) and that the odd intervals successively decrease by one whole-tone while the even intervals successively increase by one whole-tone. [13]
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