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Designer Jaqui Seerman gave the 11,000-square-foot home the his-and-her bathrooms, smaller breakfast nook, and bigger dining room a growing family wanted.
Bath Abbey from the Roman Baths Gallery. Bath Abbey was founded in 1499 [6] on the site of an 8th-century church. [7] The original Anglo-Saxon church was pulled down after 1066, [21] and a grand cathedral dedicated to Saint Peter and Saint Paul was begun on the site by John of Tours, Bishop of Bath and Wells, around 1090; [22] [23] however, only the ambulatory was complete when he died in ...
Plan of the Old Baths (Forum Baths) at Pompeii. A public bath was built around three principal rooms: the tepidarium (warm room), the caldarium (hot room), and the frigidarium (cold room). Some thermae also featured steam baths: the sudatorium, a moist steam bath, and the laconicum, a dry hot room. [citation needed] [dubious – discuss]
In addition, the units have bathrooms with marble walls, limestone floor tiles, and polished-nickel decorations. [ 43 ] [ 50 ] There are 4 in-thick (100 mm) oak floors throughout the units. [ 50 ] [ 59 ] The only apartments with terraces are units 17B, 17C, and 17D, whose terraces are above the roof of the building to the east.
The original apartments were designed for luxury, [17] arranged in seven, nine, ten and eleven-room suites, each with two or three bathrooms. Each suite included the modern amenities of telephone service, an automated mail delivery system, filtered water, storage in the basement and elevators serving all floors.
Bathrooms are generally categorized as "master bathroom", containing a shower and a bathtub that is adjoining to the largest bedroom; a "full bathroom" (or "full bath"), containing four plumbing fixtures: a toilet and sink, and either a bathtub with a shower, or a bathtub and a separate shower stall; "half bath" (or "powder room") containing ...
The most powerful Italian families of the time, such as the Florentine Medici, the Roman Farnese, the Milanese Sforza, the Italo-Spanish Borgia and the Urbinese Montefeltro had their palaces decorated with grand marble sculptures and beautiful paintings, representing wealth, power and prestige.
Kinchin, Juliet and Aidan O'Connor, Counter Space: Design and the Modern Kitchen (MoMA: New York, 2011) Lupton, E. and Miller, J. A.: The Bathroom, the Kitchen, and the Aesthetics of Waste, Princeton Architectural Press; 1996; ISBN 1-56898-096-5. The Bathroom, the Kitchen and the Aesthetics of Waste
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