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The music of “Loki” is a bold combination of a traditional orchestra with vintage ... for “Loki” becomes only the second woman to compose the dramatic score for a Marvel Cinematic Universe ...
Atif Afzal (also known by his stage name A-Zal) [2] [3] is a New York–based singer-songwriter and composer. [4] [5] He is known for his music compositions for the American television series Ms. Marvel (miniseries), [6] Loki (TV series), NCIS: Los Angeles and The Twilight Zone [7] [8] and for the films Resort to Love, Prague, Pune 52, Monsoon Shootout and Baji.
Sepinwall believed if the finale was examined "as setup for more Loki, in addition to letting MCU viewers get accustomed to a version of Kang", "For All Time. Always." was "a flawed but often fascinating conclusion to just one chapter of the Loki story, rather than the full graphic novel" and "easily the best of this year's three MCU finales". [7]
Loki is an American television series created by Michael Waldron for the streaming service Disney+, based on Marvel Comics featuring the character of the same name. It is the third television series in the Marvel Cinematic Universe (MCU) produced by Marvel Studios , sharing continuity with the films of the franchise .
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The theremin has been used in movie soundtracks such as Miklós Rózsa's Spellbound and The Lost Weekend, Bernard Herrmann's The Day the Earth Stood Still, and Justin Hurwitz's First Man, as well as in theme songs for television shows such as the ITV drama Midsomer Murders and the Disney+ series Loki, the latter composed by Natalie Holt.
Natalie Ann Holt (born 29 June 1982) is a British composer who has worked on numerous film and television projects. She is primarily recognised for her work on several notable productions, including Paddington (2014) and Loki (2021–2023).
To be sure, I was always into “Loki,” Marvel Studios’ third Disney Plus series and the first devoted to exploring a single character: the god of mischief as played by Tom Hiddleston. ...