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The human skull is an obvious and frequent symbol of death, found in many cultures and religious traditions. [1] Human skeletons and sometimes non-human animal skeletons and skulls can also be used as blunt images of death; the traditional figures of the Grim Reaper – a black-hooded skeleton with a scythe – is one use of such symbolism. [2]
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Death and the Maiden (Baldung) Death and the Maiden (Schiele) Death and the Miser; The Death of Actaeon; The Death of Adonis (Rubens) The Death of Balder; The Death of Captain James Cook (Zoffany) The Death of Chevalier Bayard; The Death of Chione; Death of Cook; Death of Dragut; The Death of General Montgomery in the Attack on Quebec, December ...
The Black Death (1346–1353) had great effects on the art and literature of medieval societies that experienced it. Although contemporary chronicles are often regarded by historians as the most realistic portrayals of the Black Death , the effects of such a large-scale shared experience on the population of Europe influenced poetry, prose ...
This category is for works of art on the theme of death, with a title referring to death, or depicting the moment of someone's death. Subcategories This category has the following 8 subcategories, out of 8 total.
Death: Death is shown at the doorstep, personified as a grim reaper, along with an angel and a demon while the priest says the sinner's last rites, Heaven: The saved are entering Heaven, with Jesus and the saints, at the gate of Heaven an Angel prevents a demon from ensnaring a woman. Saint Peter is shown as the gatekeeper.
The assertion that the drawing is of Bosch's hand is used by Lynda Harris to support her theory that Bosch was a practitioner of the Cathar religion. The "Death and the Usurer" drawing is paired with a similar "Ship of Fools Drawing" which has also been erroneously attributed to Bosch. Group of Male Figures Type: Pen. Size: 124 x 126 mm
Christ at Rest, by Hans Holbein the Younger, 1519, a chiaroscuro drawing using pen, ink, and brush, washes, white heightening, on ochre prepared paper. The term chiaroscuro originated during the Renaissance as drawing on coloured paper, where the artist worked from the paper's base tone toward light using white gouache, and toward dark using ink, bodycolour or watercolour.
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