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Garage rock was a form of amateurish rock music, particularly prevalent in North America in the mid-1960s and so called because of the perception that it was rehearsed in a suburban family garage. [21] [22] Garage rock songs revolved around the traumas of high school life, with songs about "lying girls" being particularly common. [23]
Garage rock was a raw form of rock music, particularly prevalent in North America in the mid-1960s and is called such because of the perception that many of the bands rehearsed in a suburban family garage. [49] [50] Garage rock songs often revolved around the traumas of high school life, with songs about "lying girls" being particularly common ...
The company emerged as the leading producer (or "assembly line," a reference to its motor-town origins) of black popular music by the early 1960s and marketed its products as "The Motown Sound" or "The Sound of Young America"—which combined elements of soul, funk, disco and R&B. [85] Notable Motown acts include the Four Tops, the Temptations ...
In the liner notes, Kaye used "punk rock" as a collective term for 1960s garage bands and also "garage-punk" to describe a song recorded in 1966 by the Shadows of Knight. [27] In the January 1973 Rolling Stone review of Nuggets, Greg Shaw commented: "Punk rock is a fascinating genre ... Punk rock at its best is the closest we came in the 1960s ...
The Satintones were an American R&B group who recorded together in the late 1950s and early 1960s. [1] They are notable as the first group ever to record for the Motown label. [2] The original members were Charles "Chico" Leverett, Sonny Sanders, James Ellis, and Robert Bateman. [1]
Ken Townsend claimed this as the first use anywhere in the world, [32] although Joe Meek, an independent producer from London, is known to have done it earlier (early 1960s) [33] [page needed] and in America, Motown's engineers had been using Direct Input since the early 1960s for guitars and bass guitars, primarily due to restrictions of space ...
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Motown was the most successful soul music label, with a net worth of $61 million. Between 1960 and 1969, Motown had 79 songs reach the top-ten of the Billboard Hot 100. In March 1965, Berry Gordy and Dave Godin agreed to license the Tamla Motown label name for future UK releases through EMI Records Limited.