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Odilon Redon (born Bertrand Redon; French: [ɔdilɔ̃ ʁədɔ̃]; 20 April 1840 – 6 July 1916) was a French Symbolist draftsman, printmaker, and painter. Early in his career, both before and after fighting in the Franco-Prussian War , Redon worked almost exclusively in charcoal and lithography , works known as his noirs .
Oannès – Adapa from Odilon Redon in the Kröller-Müller Museum. Adapa was a Mesopotamian mythical figure who unknowingly refused the gift of immortality.The story, commonly known as "Adapa and the South Wind", is known from fragmentary tablets from Tell el-Amarna in Egypt (around 14th century BC) and from finds from the Library of Ashurbanipal, Assyria (around 7th century BC).
The Chariot of Apollo (1905–1914), by Odilon Redon, Musée d'Orsay, Paris. Odilon Redon was a pupil of Stanislas Gorin, Jean-Léon Gérôme, Rodolphe Bresdin and Henri Fantin-Latour. [61] He developed a fantastic and dreamlike subject matter, influenced by the literature of Edgar Allan Poe, which largely preceded surrealism.
He wrote books on Gericault, Odilon Redon and Japonisme. Selected publications. Das Problem der Entwicklung in der modernen Kunstwissenschaft.
Odilon Redon, or The Eye Like a Strange Balloon Mounts Toward Infinity is a Canadian short drama film, directed by Guy Maddin and released in 1995. [1] The film stars Jim Keller and Caelum Vatnsdal as Keller and Caelum, a father and son who compete for the affections of Berenice (Brandy Bayes), a woman they have rescued from a train crash.
In Munich, Kubin discovered the works of Odilon Redon, Edvard Munch, James Ensor, Henry de Groux, and Félicien Rops. He was profoundly affected by the prints of Max Klinger, and later recounted: "Here a new art was thrown open to me, which offered free play for the imaginative expression of every conceivable world of feeling.
Average mortgage rates tick higher as of Thursday, January 9, 2024, with the 30-year fixed benchmark continuing to hover above 7.00%. Despite three back-to-back interest cuts from the Federal ...
The Cyclops (Le Cyclope in French) is a painting by Odilon Redon that depicts the myth of the love of Polyphemus for the naiad Galatea. It was painted in oils on board, then mounted on wood, and is now in the Kröller-Müller Museum in the Netherlands. [1] The painting has been variously dated between 1898 and 1914.