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This page is a list of paintings by Nicolas Poussin (Andelys, 15 June 1594 – Rome, 19 November 1665). The attributions vary notably from one art historian to another.
Nicolas Poussin (UK: / ˈ p uː s æ̃ /, US: / p uː ˈ s æ̃ /, [1] [2] French: [nikɔla pusɛ̃]; June 1594 – 19 November 1665) was a French painter who was a leading painter of the classical French Baroque style, although he spent most of his working life in Rome.
Self-portrait, Nicolas Poussin (1649; Gemäldegalerie, Berlin). Towards the end of the 1640s two major figures became patrons of Poussin [1] [2] The first of these was Paul Fréart de Chantelou, a friend of the artist, secretary to François Sublet de Noyers and collector of French art, whose commissions from Poussin included The Seven Sacraments and a self-portrait now in the Louvre [3] [4 ...
Nicolas Poussin: Landscape with a man killed by a snake 1648, National Gallery. Winter or The Flood is most commonly referred to by its French title Le Deluge. [11] In this highly original painting Poussin depicts the final stages of the horrific cataclysm of The Flood with restraint. The picture records the moment when the floods are finally ...
Mythological paintings by Nicolas Poussin (16 P) Pages in category "Paintings by Nicolas Poussin" The following 38 pages are in this category, out of 38 total.
The Triumph of Neptune and Amphitrite (or Birth of Venus) by Nicolas Poussin, painted in 1635 or 1636, is a painting housed in Philadelphia in the Philadelphia Museum of Art. [1] It is in oil on canvas (114,4 x 146,6 cm) and shows a group of figures in the sea near a beach, with putti flying over their heads.
A Dance to the Music of Time is a painting by Nicolas Poussin in the Wallace Collection in London. It was painted between c. 1634 and 1636 as a commission for Giulio Rospigliosi (later Pope Clement IX), who according to Gian Pietro Bellori dictated its detailed iconography. The identity of the figures remains uncertain, with differing accounts.
Poussin's painting addresses with potency and directness the universal message of human mortality: through the rhythmic beauty of the compositional line and passages of resplendent, even joyous, colour, Poussin allows us to contemplate and engage with the most natural and inevitable of events in human existence.
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