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Another indication of the conservative nature of Greek Cypriot society at the beginning of the 1990s was that the feminist movement in Cyprus was often the object of ridicule from both sexes. [6] Nevertheless, women's increasing economic independence was a force for liberation in all sections of the population.
Styllou Christofi was born in Cyprus, then a British protectorate, to a Cypriot family. She grew up in a small, isolated village and received no formal education. According to British historian and crime author Philip Jones, the insularity of Cypriot villages such as the one Christofi was from meant that personal disagreements and arguments among residents were seen as local matters, and could ...
Loukia Nicolaidou (Greek: Λουκία Νικολαΐδου-Βασιλείου, 1909–1994) was the first Cypriot woman to study art abroad and is considered a pioneer for women professional artists in Cyprus. Her painting The Good Fruit of the Earth is part of the collections of the State Gallery of Contemporary Cypriot Art.
The everyday language of Greek Cypriots is Cypriot Greek, a dialect of Modern Greek. It shares certain characteristics with varieties of Crete, the Dodecanese and Chios, as well as those of Asia Minor. Greek Cypriots are generally educated in Standard Modern Greek, though they tend to speak it with an accent and preserve some Greek Cypriot grammar.
Maria Panagiotou (Greek: Μαρία Παναγιώτου, born 5 February 2005) is a Cypriot footballer who plays as a midfielder for Greek A Division club AEK Athens and the Cyprus women's national team.
Annita Demetriou (Greek: Αννίτα Δημητρίου; born 18 October 1985) is a Cypriot politician, who serves as President of the Cypriot House of Representatives since June 2021, and as the President of the Democratic Rally (DISY) since March 2023.
Lia Lapithi was born in Nicosia, Cyprus, [4] in 1963. She studied Art and Environmental Design at the University of California Santa Cruz, followed by a Master of Philosophy at Lancaster University. [3] After her studies she returned to Cyprus in 1984. [3]
In 1974, after the Cypriot coup d'état Stephanides style changed and she began introducing references to Greek history into her works as a political statement. [11] Particularly concerned about how war impacts women, her works began to explore stylized female forms and isolation, in a more expressionistic manner.