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The William Farquhar Collection of Natural History Drawings consists of 477 watercolour botanical drawings of plants and animals of Malacca and Singapore by unknown Chinese (probably Cantonese) artists that were commissioned between 1819 and 1823 by William Farquhar (26 February 1774 – 13 May 1839). The paintings were meant to be of ...
Most dictionaries and definitions of shan shui assume that the term includes all ancient Chinese paintings with mountain and water images. [3] Contemporary Chinese painters, however, feel that only paintings with mountain and water images that follow specific conventions of form, style and function should be called "shan shui painting".
The paintings are located between 30 metres (98 ft) and 90 metres (300 ft) above the river's water level. [1] The main area contains about 1900 discrete countable images arranged in about 110 groups. [3] The paintings have a red color and were executed using a mixture of red ochre , animal glue, and blood. [3]
Intertwining with the imperial landscape painting, water mill, an element of jiehua painting, though, is still used as an imperial symbol. Water mill depicted in the Water Mill is a representation for the revolution of technology, economy, science, mechanical engineering and transportation in Song dynasty. It represents the government directly ...
The Water and Land Ritual paintings (水陆画) are a style of traditional Chinese painting based on religious or Chinese mythological subjects. The paintings are mainly intricate portraits of deities , historical figures, and the contrasting lives of common people and tragedies, in an ornate style with rich use of vivid colors and patterns.
Each of the 25 kitchens on the ground floor at the back half of the circle has a private water well beside its stove. This is the only tulou in all Fujian with such convenient water supply. There was a one-story inner-ring house surrounding the ancestral hall as late as 2003.
The format then was called "huihui tu" or chapter pictures. [2] In 1916 Caobao newspapers bound the pictures to attract a larger audience base of middle and lower class readers. The rise of lianhuanhua's popularity was proportional to the rise of lithographic printing introduced to Shanghai from the West. [2]
He was also known as "Madman Liang" because of his very informal pictures. His ink wash painting style has a huge influence on East Asia, especially Japan. [52] Yan Hui (颜辉; 顏輝; Yán Huī; Yen Hui); was a late 13th century Chinese painter who lived during the Southern Song and early Yuan dynasties. Yan Hui's style of painting has also ...