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Mark Klett: Saguaros by Gregory McNamee and Mark Klett. Radius Books, 2007. ISBN 1-934435-00-7. The Half Life of History, with William Fox. Radius Books, 2011. ISBN 978-1934435397; Reconstructing the View, the Grand Canyon Photographs of Mark Klett and Byron Wolfe, with Byron Wolfe, Rebecca A. Senf, Stephen J. Pyne. University of California ...
DVDVideoSoft project was launched in 2006 by company Digital Wave Ltd. for development to produce multimedia application.The founders distributed paid software as an affiliate at the beginning, later their own products appeared on the site.
Heureka Klett was a German software engineering company which has made several personal computer games of the sort called "edutainment". They are point-and-click puzzle-adventure games, heavily inspired by Myst for Windows and Mac. These were distributed by Tivola International to be localized for many markets.
An art film, art cinema, or arthouse film is typically an independent film, aimed at a niche market rather than a mass market audience. [1] It is "intended to be a serious, artistic work, often experimental and not designed for mass appeal", [ 2 ] "made primarily for aesthetic reasons rather than commercial profit", [ 3 ] and containing ...
It is the job of classical Hollywood cinema to get the audience lost and absorbed into the story of the film, so that the film is pleasurable. In contrast the task of European art cinema is to be ambiguous, utilizing an open-ended (and sometimes intertextual ) plot, causing the audience to ask questions themselves whilst introducing an element ...
August Klett, or Klotz (1866–1928), was a German outsider artist with schizophrenia and one of the "schizophrenic masters" profiled by Hans Prinzhorn in his field-defining work Artistry of the Mentally Ill. The pseudonym August Klotz (Klotz being a disparaging term for a person of low intelligence) was given by Prinzhorn. [1] He was born in ...
Film d'art (French for "art film") was an influential film movement or genre that developed in France prior to World War I and began with the release of L'Assassinat du duc de Guise (1908), directed by Charles Le Bargy and André Calmettes of the Comédie Française for the Société Film d'Art, a company formed to adapt prestigious theatre plays starring famous performers to the screen. [1]