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In some languages, blue and green are considered a single color. In the iconography of the Virgin of Guadalupe, she is often depicted as wearing a blue-green colored robe. The color is significant to the Mexicas because of the Aztec religion. Also, Blue-green is known as Maya blue in pre-Columbian cultures.
The notion of "green" in modern European languages corresponds to light wavelengths of about 520–570 nm, but many historical and non-European languages make other choices, e.g. using a term for the range of ca. 450–530 nm ("blue/green") and another for ca. 530–590 nm ("green/yellow").
For some arbitrary future time t, say January 1, 2035, for all green things observed prior to t, such as emeralds and well-watered grass, both the predicates green and grue apply. Likewise for all blue things observed prior to t, such as bluebirds or blue flowers, both the predicates blue and bleen apply.
The word is derived from the Latin word caeruleus (Latin: [kae̯ˈru.le.us]), "dark blue, blue, or blue-green", which in turn probably derives from caerulum, diminutive of caelum, "heaven, sky". [2] "Cerulean blue" is the name of a blue-green pigment consisting of cobalt stannate (Co 2 SnO 4). The pigment was first synthesized in the late ...
Blue was a latecomer among colors used in art and decoration, as well as language and literature. [7] [verification needed] Reds, blacks, browns, and ochres are found in cave paintings from the Upper Paleolithic period, but not blue. Blue was also not used for dyeing fabric until long after red, ochre, pink and purple.
Hues of blue include indigo and ultramarine, closer to violet; pure blue, without any mixture of other colours; Azure, which is a lighter shade of blue, similar to the colour of the sky; Cyan, which is midway in the spectrum between blue and green, and the other blue-greens such as turquoise, teal, and aquamarine.
Blue–red contrast demonstrating depth perception effects 3 Layers of depths "Rivers, Valleys & Mountains". Chromostereopsis is a visual illusion whereby the impression of depth is conveyed in two-dimensional color images, usually of red–blue or red–green colors, but can also be perceived with red–grey or blue–grey images.
This model designates red, yellow and blue as primary colors with the primary–secondary complementary pairs of red–green, blue-orange, and yellow–purple. [2] In this traditional scheme, a complementary color pair contains one primary color (yellow, blue or red) and a secondary color (green, purple or orange).