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John Pearse (12 September 1939 – 31 October 2008) was a British guitarist, folk singer and music educator, who came to prominence in the 1960s presenting the popular BBC2 television guitar tuition series, Hold Down a Chord.
New standard tuning (NST) is an alternative tuning for the guitar that approximates all-fifths tuning.The guitar's strings are assigned the notes C2-G2-D3-A3-E4-G4 (from lowest to highest); the five lowest open strings are each tuned to an interval of a perfect fifth {(C,G),(G,D),(D,A),(A,E)}; the two highest strings are a minor third apart (E,G).
Banjo, Long Neck 5 strings 5 courses. E 4 B 2 E 3 G ♯ 3 B 3 "Pete Seeger" Banjo US (commissioned by Pete Seeger) Open string tuning; often played with capo on 3rd fret Banjo, tenor 4 strings 4 courses. Standard/common : C 3 G 3 D 4 A 4. Alternate: Irish : G 2 D 3 A 3 E 4; US US via Africa Irish tuning same as octave mandolin tuning Banjo ...
Among guitar tunings, all-fifths tuning refers to the set of tunings in which each interval between consecutive open strings is a perfect fifth. All-fifths tuning is also called fifths, perfect fifths, or mandoguitar. [1] The conventional "standard tuning" consists of perfect fourths and a single major third between the g and b strings: E-A-d-g ...
This would parallel the development of the banjo elsewhere, for example in England, where the tendency was to add more of the long strings, with seven and ten strings being common. Sweeney was responsible for the spread of the banjo and probably contracted with a drum maker in Baltimore, William Boucher, to start producing banjos for public sales.
He played the tenor banjo, violin, mandolin, and melodeon. He was most renowned as a banjo player. Barney used GDAE tuning on a 19-fret tenor banjo, an octave below fiddle/mandolin and, according to musician Mick Moloney, was single-handedly responsible for making the GDAE-tuned tenor banjo the standard banjo in Irish music.
The first consists of primary banjo players and the second of celebrities that also play the banjo This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items with reliable sources .
The name banjolin was first patented by John Farris in 1885. [2] The instrument was popularized prior to the 1920s, when the tenor banjo became more popular. In the heyday of mandolin orchestras and banjo bands (late 19th–early 20th century), all sorts of instruments were produced. The mandolin-banjo is one of the hybrids that resulted.
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