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Mosiah Lyman Hancock (April 9, 1834 – January 14, 1907) was an early member of the Church of Jesus Christ of Latter-day Saints and was son of Levi Ward Hancock and Clarissa Reed Hancock. Mosiah is known for his vision of the pre-earth life and of his firsthand account of a prophecy of Joseph Smith .
In 1921, she married fellow poet William Whittingham Lyman Jr, and so also became known either as Mrs. W.W. Lyman [5] or Helen Hoyt Lyman. [ 6 ] Early in her career, Hoyt was an Associate Editor of the journal Poetry , and also had numerous articles and poems published within the magazine from 1913 to 1936.
Henry Lyman is an American poet, editor, translator, and former host and producer of WFCR's Poems to a Listener, a nationally distributed series of readings and conversations with poets which ran from 1976 to 1994. [1] [2]
A writer learning the craft of poetry might use the tools of poetry analysis to expand and strengthen their own mastery. [4] A reader might use the tools and techniques of poetry analysis in order to discern all that the work has to offer, and thereby gain a fuller, more rewarding appreciation of the poem. [5]
Henry Lyman may refer to: Henry Lyman (poet), American poet, editor, translator; Henry Lyman (missionary), American Baptist missionary; Henry H. Lyman, American politician from New York; Henry Herbert Lyman, Canadian businessman and amateur entomologist
Understanding Poetry, according to an article at the Modern American Poetry Web site, "codified many of the so-called New Critical ideas into a coherent approach to literary study. Their book, and its companion volume, Understanding Fiction (1943), revolutionized the teaching of literature in the universities and spawned a host of imitators who ...
The author suggests that the powers in the precursor poem actually derive from something beyond it; the poet does so "to generalize away the uniqueness of the earlier work". Bloom took the term daemonization from Neoplatonism, where it refers to an adept being aided by an intermediary, who is neither divine nor human. [5]
Deane asked Heaney if he intended to create a "cultural landscape" with his poetry, and if Heaney insists "that this landscape be distinctly of this culture." Heaney responded: "Yes I think I came to this notion in the writing of the Wintering Out collection, particularly in the place name poems: 'Anahorish', 'Broagh', and so on. I had a great ...