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Eric Alfred Leslie Satie [n 1] (17 May 1866 – 1 July 1925), who signed his name Erik Satie after 1884, was a French composer and pianist. He was the son of a French father and a British mother. He was the son of a French father and a British mother.
Erik William Chisholm (4 January 1904 – 8 June 1965) was a Scottish composer, pianist, organist and conductor sometimes known as "Scotland's forgotten composer".". According to his biographer, Chisholm "was the first composer to absorb Celtic idioms into his music in form as well as content, his achievement paralleling that of Bartók in its depth of understanding and its daring", [1] which ...
Erik Satie. In this list of Erik Satie's musical compositions, those series or sets comprising several pieces (e.g., Gnossienne 1, Gnossienne 2, etc.) with nothing but tempo indications to distinguish the movements by name, are generally given with the number of individual pieces simply stated in square brackets.
Erik Agard (born 1993) is a crossword solver, constructor, and editor. He is the winner of the 2016 Lollapuzzoola Express Division, the 2018 American Crossword Puzzle Tournament (ACPT), a frequent contributor to the New York Times crossword puzzle, a crossword constructor for The New Yorker, the former USA Today crossword editor, and a former Jeopardy! contestant.
Seven Poems of Love (Lillias Scott) [soprano] 'Love's Reward' 'Johnnie Logie' 'Skreigh o' Day' 'Fragment (Lament)' 'Prayer' 'Innocence' 'Hert's Sang' She Calls Me Her Coal-Black Mammy; Sixty Cubic Feet (Randall Swingler) [baritone] Skinny Minny; Snail, Snail, Shoot Out Your Horn; Summer Song (William Soutar) The Prodigy (William Soutar) There's ...
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"The Game of Love" is a 1964 song by Wayne Fontana and the Mindbenders, first released as a single from the band's titular album in January 1965 in the United Kingdom, followed by the United States one month later as "Game of Love". The song reached Number 2 on the
Erik Satie. The Ludions is a song cycle for voice and piano (or organ) by Erik Satie, composed in 1923 to five absurdist poems by Léon-Paul Fargue. It was the last of his vocal compositions. The songs are brief and a performance of the set usually lasts less than five minutes. Songwriting occupied Satie sporadically throughout his life. [1]