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Max Ernst, The Elephant Celebes, 1921. The word surrealism was first coined in March 1917 by Guillaume Apollinaire. [10] He wrote in a letter to Paul Dermée: "All things considered, I think in fact it is better to adopt surrealism than supernaturalism, which I first used" [Tout bien examiné, je crois en effet qu'il vaut mieux adopter surréalisme que surnaturalisme que j'avais d'abord employé].
The text includes examples of applications of surrealism in poetry and literature and maintains that its tenets can be applied outside of the arts. Breton notes hypnagogia as a surreal state and the dream as a source of inspiration. The manifesto concludes that surrealism is non-conformist in nature and does not follow defined rules.
Surrealism in art, poetry, and literature uses numerous techniques and games to provide inspiration. Many of these are said to free imagination by producing a creative process free of conscious control. The importance of the unconscious as a source of inspiration is central to the nature of surrealism.
The sixteen figures showed surrealist motives and techniques, which consisted of concealment and revelation, and expressed captivated lust, the power of unconscious desire and the breaking of taboos. The street signs partly referred to surrealistic obsessions and sometimes had a fictionally poetic character, but also actual street names, such ...
[1] [2] Widely recognized as a major figure of the European avant-garde, he had a particularly strong influence on twentieth-century theatre through his conceptualization of the Theatre of Cruelty. [ 3 ] [ 4 ] [ 5 ] Known for his raw, surreal and transgressive work, his texts explored themes from the cosmologies of ancient cultures, philosophy ...
Alfred Jarry, Deux aspects de la marionnette original d'Ubu Roi, premiered at the Théâtre de l'Œuvre on 10 December 1896. His father Anselme Jarry (1837–1895) was a salesman who descended into alcoholism; his mother Caroline, née Quernest (1842–1893), was interested in music and literature, but her family had a streak of insanity, and her mother and brother were institutionalized.
A figure of speech or rhetorical figure is a word or phrase that intentionally deviates from straightforward language use or literal meaning to produce a rhetorical or intensified effect (emotionally, aesthetically, intellectually, etc.). [1] [2] In the distinction between literal and figurative language, figures of
Manifestoes of Surrealism is a book by André Breton, describing the aims, meaning, and political position of the Surrealist movement. [1]