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Both Eastern and Western cultural traditions ascribe special significance to words uttered at or near death, [4] but the form and content of reported last words may depend on cultural context. There is a tradition in Hindu and Buddhist cultures of an expectation of a meaningful farewell statement; Zen monks by long custom are expected to ...
The following is a list of last words uttered by notable individuals during the 20th century (1901-2000). A typical entry will report information in the following order: Last word(s), name and short description, date of death, circumstances around their death (if applicable), and a reference.
An epilogue or epilog (from Greek ἐπίλογος epílogos, "conclusion" from ἐπί epi, "in addition" and λόγος logos, "word") is a piece of writing at the end of a work of literature, usually used to bring closure to the work. [1]
Several of these journal entries, including his last one, were initially published in a 1998 issue of The New Yorker. Grove Press, the publishers of the book, had a long history with Burroughs dating back to the early 1960s when they published the first North American edition of Naked Lunch , sparking a landmark obscenity case.
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For example, Harris suggests signs that a person is in a Parent ego state can include the use of evaluative words that imply judgment based on an automatic, axiomatic and archaic value system: words like 'stupid, naughty, ridiculous, disgusting, should or ought' (though the latter can also be used in the Adult ego state).
Lyric Essay is a literary hybrid that combines elements of poetry, essay, and memoir. [1] The lyric essay is a relatively new form of creative nonfiction. John D’Agata and Deborah Tall published a definition of the lyric essay in the Seneca Review in 1997: "The lyric essay takes from the prose poem in its density and shapeliness, its distillation of ideas and musicality of language."
The best-known versions of the confession in English are the edited versions in poetic form that had begun circulating by the 1950s. [1] The United States Holocaust Memorial Museum quotes the following text as one of the many poetic versions of the speech: [2] [3]