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The quarter tone scale may be primarily a theoretical construct in Arabic music. The quarter tone gives musicians a "conceptual map" they can use to discuss and compare intervals by number of quarter tones, and this may be one of the reasons it accompanies a renewed interest in theory, with instruction in music theory a mainstream requirement ...
Dialogue, for two pianos tuned a quarter-tone apart, eight hands, W.o.O. (1959) Dithyrambe, for two pianos tuned a quarter-tone apart, Op. 12 (1923–1924) Études sur les mouvements rotatoires, for two pianos tuned a quarter-tone apart, eight hands, Op. 45a.; for chamber orchestra, Op. 45c (1961)
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
A quarter note or crotchet (/ ˈ k r ɒ t ʃ ɪ t /) is a musical note played for one quarter of the duration of a whole note (or semibreve). Quarter notes are notated with a filled-in oval note head and a straight, flagless stem .
A septimal quarter tone (in music) is an interval with the ratio of 36:35, which is the difference between the septimal minor third and the Just minor third, or about 48.77 cents wide. The name derives from the interval being the 7-limit approximation of a quarter tone .
The modern Arab tone system, or system of musical tuning, is based upon the theoretical division of the octave into twenty-four equal divisions or 24-tone equal temperament, the distance between each successive note being a quarter tone (50 cents). Each tone has its own name not repeated in different octaves, unlike systems featuring octave ...
Septimal quarter tone This page was last edited on 21 August 2014, at 03:39 (UTC). Text is available under the Creative Commons Attribution-ShareAlike 4.0 License ...
In Germany, Austria, and Czechoslovakia in the 1910s and 1920s the usual term continued to be Viertelton-Musik (quarter tone music [36] [page needed]), and the type of intervallic structure found in such music was called the Vierteltonsystem, [37] [38] which was (in the mentioned region) regarded as the main term for referring to music with ...
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