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Héliodore Pisan after Gustave Doré, "The Crucifixion", wood-engraving from La Grande Bible de Tours (1866). It depicts the situation described in Luke 23.. The illustrations for La Grande Bible de Tours are a series of 241 wood-engravings, designed by the French artist, printmaker, and illustrator Gustave Doré (1832–1883) for a new deluxe edition of the 1843 French translation of the ...
Stained glass window at Christ Church Cathedral in Dublin, depicting the Fruit of the Holy Spirit along with Biblical role models representing them: the Good Shepherd representing love, an angel holding a scroll with the Gloria in excelsis Deo representing joy and Jesus Christ, Job representing longsuffering, Jonathan faith, Ruth gentleness and goodness, Moses meekness, and John the Baptist ...
Sermon 104: On Attending Church Service - 1 Samuel 2:17; Sermon 105: On Conscience - 2 Corinthians 1:12; Sermon 106: On Faith - Hebrews 11:6; Sermon 107: On God's Vineyard - Isaiah 5:4; Sermon 108: On Riches - Matthew 19:24; Sermon 109: What is Man? - Psalm 8:4 (Bradford, 2 May 1788) Sermon 110: On the Discoveries of Faith - Hebrews 11:1 (Yarm ...
The Scriptures now became his chief study, and his influence led other young Cambridge men to think along the same lines. Among his friends were Matthew Parker, the future Archbishop of Canterbury, and Hugh Latimer. Latimer, previously a strenuous conservative, was completely won over, and a warm friendship sprang up between him and Bilney.
Parable of the Hidden Treasure in the Bowyer Bible Chrysostom : "The foregoing parables of the leaven, and the grain of mustard-seed, are referred to the power of the Gospel preaching, which has subdued the whole world; in order to show its value and splendour, He now puts forth parables concerning a pearl and a treasure, saying, The kingdom of ...
A later (1536) version by Cranach and his son. Oil, gold and paper on panel, transferred on panel. The left and right "wings" of the paintings illustrate the Protestant concept of Law and Gospel, which emphasizes salvation through the forgiveness of sins in light of the person and work of Jesus Christ.
[37] [38] Though both groupings did not object to book illustrations or prints of biblical events, or portraits of reformers, production of large-scale religious art virtually ceased in Protestant regions after about 1540, and artists shifted to secular subjects, ironically often including revived classical mythology.
Even so, I tell you, there is joy in the presence of the angels of God over one sinner repenting." — Luke 15:8–10, World English Bible On finding the lost coin, the woman shares her joy with her neighbors (etching by Jan Luyken ).
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