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While living in Zambia in 2012–2013, Burrard-Lucas also developed high-quality camera traps for photographing rare and nocturnal animals. [12] These camera traps were based on a passive infrared sensor and took photos using a standard DSLR or mirrorless camera. [13]
The speed that the camera must move to create a perceived normal camera motion can be calculated by inverting the time-lapse equation: a c t u a l s p e e d = c a m e r a f r a m e r a t e p r o j e c t i o n f r a m e r a t e × p e r c e i v e d s p e e d {\displaystyle \mathrm {actual\ speed} ={\frac {\mathrm {camera\ frame\ rate} }{\mathrm ...
Several Sony cameras had a feature branded as Night Shot, which physically moves the blocking filter away from the light path, making the cameras very sensitive to infrared light. Soon after its development, this facility was 'restricted' by Sony to make it difficult for people to take photos that saw through clothing. [44]
By leaving the camera's shutter open for an extended period of time, more light is absorbed, creating an exposure that captures the entire dynamic range of the digital camera sensor or film. If the camera is stationary for the entire period of time that the shutter is open, a very vibrant and clear photograph can be produced. [4]
Although the term “digicam” originated as a syllabic abbreviation for “digital camera”, it is now used primarily to refer to an old compact digital camera or, in other words, a discontinued point-and-shoot camera with a fixed lens. [32] [33] [34] Digicams emphasize portability and ease of use, and they often include a built-in flash. [35]
Muybridge's photographic sequence of a race horse galloping, first published in 1878. High-speed photography is the science of taking pictures of very fast phenomena. In 1948, the Society of Motion Picture and Television Engineers (SMPTE) defined high-speed photography as any set of photographs captured by a camera capable of 69 frames per second or greater, and of at least three consecutive ...
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Time Lapse is a 2014 American indie sci-fi thriller directed by Bradley D. King and starring Danielle Panabaker, Matt O'Leary, and George Finn.King's directorial debut, it centers upon a group of friends who discover a machine that can take pictures of things 24 hours into the future, causing increasingly complex causal loops. [1]
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