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"Hold Me Now" is a 1983 song by British band the Thompson Twins. Written by the band members, the song was produced by Alex Sadkin and the group's lead vocalist Tom Bailey . The song is a mid-tempo new wave song that uses a varied instrumentation, including keyboards, a xylophone , a piano and Latin percussion .
Into the Gap is the fourth studio album by British pop group Thompson Twins, released on 17 February 1984 by Arista Records. [3] The album was recorded during 1983 at Compass Point Studios, in Nassau, Bahamas, and was produced by Alex Sadkin who had produced the band's previous studio album, Quick Step & Side Kick (1983).
The first version, produced by Alex Sadkin & Tom Bailey, was released in late 1984 in Europe and Australia. The 1985 version was a reworking co-produced by Nile Rodgers , adding electric guitar and a gospel choir and released as a single in the US; this version appeared on the album.
Hold Me Now may refer to: "Hold Me Now" (Thompson Twins song) "Hold Me Now" (Johnny Logan song), winner of the 1987 Eurovision Song Contest; Hold Me Now, a 1987 album by Johnny Logan "Hold Me Now", a song by The Adventures from The Sea of Love "Hold Me Now", a song by Elastica from Elastica
Logan would go on to write the winner song of the 1992 contest, "Why Me?" performed by Linda Martin. "Hold Me Now" is regarded as one of the high points of the contest history, it was one of fourteen songs chosen by Eurovision fans and a European Broadcasting Union (EBU) reference group, from among the 992 songs that had ever participated in the contest, to participate in the fiftieth ...
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On 4 August 2008, Here's to Future Days was digitally remastered and reissued as a 2-disc set by Edsel Records.The reissue includes the five bonus remixes that originally appeared on the cassette version of the album in 1985, and also features most of the major 12" versions and B-sides, some of which appear on CD for the very first time.
The hits "Hold Me Now" and "Do You Believe" climbed into the Canadian Top 40. [2] Two more singles, a cover of The Supremes ' " Love Child " and "We've Got the Power", became modest hits as well. Following the demise of Bonaire Records, the group signed to A&M Records with a new look & sound as One 2 One .