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Psalm 139 is part of the final Davidic collection of psalms, comprising Psalms 138 through 145, which are attributed to David in the first verse. [ 5 ] [ 6 ] Verse 16 is the only place in the Tanakh where the word גָּלְמִ֚י , galmi , from the same root as the term golem , appears.
David sings about the omniscience and omnipresence of God, and praises Him for His creation of man and His condemnation of evil. People: David - יהוה YHVH God. Related Articles: Psalm 139 - Omniscience - Omnipresence - Sheol. English Text: American Standard - Douay-Rheims - Free - King James - Jewish Publication Society - Tyndale - World ...
As an example, Psalm 69:24 states toward God, "Pour out Your indignation on them, and let Your burning anger overtake them." The Psalms ( Tehilim , תהילים , or "praises"), considered part of both Hebrew and Christian Scripture , served as ancient Israel 's " psalter " or " hymnbook ", which was used during temple and private worship .
The use of the psalm "helps the assembly to meditate on and respond to the word that has just been proclaimed". [3] It is for the entire assembly, ordained and lay, congregation and musicians: "The psalm is not only something addressed to the listeners by the cantor, but a prayer addressed to God.
Psalm 140 is the 140th psalm of the Book of Psalms, beginning in English in the King James Version: "Deliver me, O LORD, from the evil man". In the slightly different numbering system used in the Greek Septuagint version of the Bible, and the Latin Vulgate, this psalm is Psalm 139. In Latin, it is known as "Eripe me Domine ab homine malo". [1]
Psalm 143 is the 143rd psalm of the Book of Psalms, beginning in English in the King James Version: "Hear my prayer, O LORD". In the slightly different numbering system used in the Greek Septuagint version of the Bible, and the Latin Vulgate, this psalm is Psalm 142. In Latin, it is known as "Domine exaudi orationem meam". [1]
The first 10 verses of 1 Samuel 2 record her song of praise to the Lord for answering her petition. The attribution of this song to Hannah distinguishes her among biblical personages. Her song is essentially a hymn of praise to God for good fortune, and includes many themes of Israel's national culture.
David is depicted giving a penitential psalm in this 1860 woodcut by Julius Schnorr von Karolsfeld. The Penitential Psalms or Psalms of Confession, so named in Cassiodorus's commentary of the 6th century AD, are the Psalms 6, 31, 37, 50, 101, 129, and 142 (6, 32, 38, 51, 102, 130, and 143 in the Hebrew numbering).
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