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Sophia Amelia Hawthorne (née Peabody; September 21, 1809 – February 26, 1871) was an American painter and illustrator as well as the wife of author Nathaniel Hawthorne. She also published her journals and various articles.
Hawthorne was ending his brief stay in Lenox, Massachusetts, as The Snow-Image, and Other Twice Told Tales was being prepared. During his time there, Hawthorne had befriended Herman Melville , who had just published Moby-Dick with a dedication to Hawthorne as Hawthorne was preparing the preface for his new book. [ 3 ]
Nathaniel Hawthorne (born Nathaniel Hathorne; July 4, 1804 – May 19, 1864) was an American novelist and short story writer. His works often focus on history, morality, and religion. His works often focus on history, morality, and religion.
Twice-Told Tales is a short story collection in two volumes by Nathaniel Hawthorne.The first volume was published in the spring of 1837 and the second in 1842. [1] The stories had all been previously published in magazines and annuals, hence the name.
A dozen years after his death a copy was found and the tale reissued by James o & co." (quote cf. N.E. Brown, Bibl. of Nathaniel Hawthorne, Boston and New York, 1905) The novel was so rare and Hawthorne was so secretive about his early attempt at a novel that after his death his wife, Sophia, insisted her husband had never written a novel with ...
The Marble Faun: Or, The Romance of Monte Beni, also known by the British title Transformation, was the last of the four major romances by Nathaniel Hawthorne, and was published in 1860. The Marble Faun , written on the eve of the American Civil War , is set in a fantastical Italy.
"The May-Pole of Merry Mount" is a short story by Nathaniel Hawthorne. [1] It first appeared in The Token and Atlantic Souvenir in 1836. It was later included in Twice-Told Tales , a collection of Hawthorne's short stories, in 1837 . [ 2 ]
Hawthorne was informed by a trip to Vermont and New Hampshire beginning in September 1832. "The Great Carbuncle" was published in the December 1835 issue of The New-England Magazine as the second (and final) installment of his series "Sketches from Memory, By a Pedestrian", after "The Ambitious Guest" in the previous issue. [1]