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Charles Rennie Mackintosh (7 June 1868 – 10 December 1928) was a Scottish architect, designer, water colourist and artist. His artistic approach had much in common with European Symbolism . His work, alongside that of his wife Margaret Macdonald , was influential on European design movements such as Art Nouveau and Secessionism and praised by ...
The gallery's collection includes a large number of the works of James McNeill Whistler and the majority of the watercolours of Charles Rennie Mackintosh. The Hunterian Art Gallery reopened in September 2012 after a refurbishment, with an exhibition dedicated to Rembrandt, Rembrandt and the Passion. [16]
The Artist's Cottage project is the realisation of three previously unexecuted designs by Scottish architect Charles Rennie Mackintosh.In 1901, Mackintosh produced two speculative drawings, An Artist's Cottage and Studio [1] and A Town House for an Artist.
Watercolor, gouache, and graphite on paper: Dimensions: ... Walberswick - drawing, designed by Charles Rennie Mackintosh (MET, 1993.282) Items portrayed in this file
The Scottish Art Nouveau architect, interior designer, textile designer and water colourist Charles Rennie Mackintosh lived and painted in Port-Vendres from 1923 until 1927, when he was forced by ill health to return to London, where he died in 1928. During his stay in Port-Vendres Mackintosh painted many watercolours of the town and the ...
The most famous of its buildings was designed by Charles Rennie Mackintosh in phases between 1896 and 1909. The eponymous Mackintosh Building soon became one of the city's iconic landmarks, of international fame. It is a pioneer of the Modern Style (British Art Nouveau style).
Glasgow School of Art. Among the most prominent definers of the Glasgow School collective were The Four. They were the painter and glass artist Margaret MacDonald, acclaimed architect Charles Rennie Mackintosh (MacDonald's husband), MacDonald's sister Frances and Herbert MacNair. [3]
Although he never attended the School, Morris soon became friends with Charles Rennie Mackintosh and his contemporaries, and his own work quickly began to incorporate Glasgow Style motifs. He is known, for example, to have visited the art studio of the sisters Frances Macdonald and Margaret Macdonald at 128 Hope Street.