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A solo steel drum player performs with the accompaniment of pre-recorded backing tracks that are being played back by the laptop on the left of the photo.. A backing track is an audio recording on audiotape, CD or a digital recording medium or a MIDI recording of synthesized instruments, sometimes of purely rhythmic accompaniment, often of a rhythm section or other accompaniment parts that ...
Belly (Original Motion Picture Soundtrack) is the soundtrack to Hype Williams' 1998 film Belly.It was released on November 3, 1998, through Def Jam Recordings and featured production from the likes of Poke & Tone, Dame Grease, Sean Combs and Swizz Beatz.
The album contains fifteen jazz and swing songs performed by Stansfield (ten tracks), Georgie Fame (two tracks) and Ian Devaney (three instrumental tracks). Among them, Stansfield co-wrote four new songs: "Gotta Get on This Train", "Why Do We Call It Love", "I Thought That's What You Liked About Me" and "Two Years Too Blue".
Mike Clarke - drums (tracks: 8, 10, 11, 13) George Recile - drums (track 2) Matthew Johnson - drums (track 5) Greg Morrow - drums (track 7) Ang Lee, James Schamus, Ron Goldstein and Kathy Nelson - executive producers; Gabe Witcher - fiddle (tracks 2, 4, 8, 10, 11, 13) Carmella Ramsey - fiddle (track 7) Tom Baker - mastering
Tommy is a soundtrack album by The Who with contributions from numerous artists. The soundtrack was used in the 1975 Tommy film that was based on the original album that was released by The Who in 1969.
McCartney produced the album, composed or co-composed most of the tracks, sang harmony vocal on "The Man Who Found God on the Moon", and played bass, guitar and keyboards (although uncredited as a musician). Steve Miller Band. Brave New World (1970) McCartney (credited as Paul Ramon) played bass, drums, and provides backing vocals to "My Dark ...
Click tracks are especially useful to modern "one man bands" who may use a multi-track audio editor to perform all or many of the different parts of a recording separately. Click tracks can also aid live bands that want to synchronize a live performance with things like prerecorded backing tracks, pyrotechnics and stage lighting. [1]
Miming in instrumental performance or finger-synching is the act of musicians pretending to play their instruments in a live show, audiovisual recording or broadcast. Miming in instrument playing is the musical instrument equivalent of lip-syncing in singing performances, the action of pretending to sing while a prerecorded track of the singing is sounding over a PA system or on a TV broadcast ...