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This is a list of women artists who were born in Cuba or whose artworks are closely associated with that country. This is a dynamic list and may never be able to satisfy particular standards for completeness.
In the late 19th century, landscapes dominated Cuban art and classicism was still the preferred genre. [10] The radical artistic movements that transformed European art in the first decades of the century arrived in Latin America in the 1920s to form part of a vigorous current of artistic, cultural, and social innovation.
After 1971, Cuba entered its "grey years:, which are a loosely defined period in Cuban history, generally agreed to have started with the Padilla affair in 1971. [187] The "grey years" are often associated with the tenure of Luis Pavón Tamayo ( de ) as the head of Cuba's National Cultural Council (" Consejo Nacional de Cuba ", or CNC) from ...
Juan T. Vázquez Martín (1941–2017), Cuban-born American painter, among the masters of abstract paintings in Cuba; Raul Martinez (1927–1995) painter, designer, photographer, muralist, and graphic artist; María Martínez-Cañas (born 1960), photographer; Rene Mederos (1933–1996), poster artist and graphic designer
The Castro government claims to have improved women's rights since the revolution, and today, most women work outside of the home. They are assisted by things such as childcare facilities, which are common in Cuba. In 1974, the Family Code was passed, giving men and women equal rights and responsibilities for housework, childrearing and education.
In modern Cuba, women have free access to abortion and up to two years maternity leave. [19] Before the success of the Cuban Revolution in 1959, abortion in Cuba was illegal and contraceptives inaccessible. Reproductive health laws were patterned after the 1870 Penal Code in Spain, making abortion highly restrictive. [21]
Pages in category "History of women in Cuba" The following 2 pages are in this category, out of 2 total. This list may not reflect recent changes. M.
Representation of women’s contributions to the revolution were also carefully calculated and not as in-depth as representations of men’s contributions in post-revolutionary Cuba. Significant women were often discussed in Cuba, but the general contributions of everyday women were rarely mentioned. [21]