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Nadja (1928), the second book published by André Breton, is one of the iconic works of the French surrealist movement. It begins with the question "Who am I?It is based on Breton's actual interactions with a young woman, Nadja (actually Léona Camille Ghislaine Delacourt 1902–1941), [1] over the course of ten days, and is presumed to be a semi-autobiographical description of his ...
Jacques-André Boiffard (29 July 1902 – 22 July 1961) was a French photographer, born in Épernon in Eure-et-Loir. [1] He was a medical student in Paris until 1924 when he met André Breton through Pierre Naville, a Surrealist writer, and childhood friend.
Along with his role as leader of the surrealist movement he is the author of celebrated books such as Nadja and L'Amour fou. Those activities, combined with his critical and theoretical work on writing and the plastic arts, made André Breton a major figure in twentieth-century French art and literature.
Deharme was born in Paris in 1898. Her father was a famous doctor. In January 1925, she visited the Paris Bureau of Surrealist Research. [1] As a result of an incident that occurred during her visit, which is recorded in André Breton's Nadja, she would become known as the "dame au gant," or the Lady of the Glove.
The Surrealist Manifesto refers to several publications by Yvan Goll and André Breton, leaders of rival surrealist groups. Goll and Breton both published manifestos in October 1924 titled Manifeste du surréalisme. Breton wrote a second manifesto in 1929, which was published the following year, and in 1942, a reflection or a commentary on the ...
André Breton included two photographs of Desnos sleeping in his surrealist novel Nadja. [2] Although he was praised by Breton in his 1924 Manifeste du Surréalisme for being the movement's "prophet", Desnos disagreed with Surrealism's involvement in communist politics, which caused a rift between him and Breton. Desnos continued work as a ...
Serial Maven Studios has given Variety exclusive access to the trailer for Neil Diamond and Joanne Robertson’s “So Surreal: Behind the Masks,” a Native American documentary world premiering ...
Le Surréalisme au service de la révolution (Surrealism in the service of the revolution) was a periodical issued by the Surrealist Group in Paris between 1930 and 1933. It was the successor of La Révolution surréaliste (published 1924–29) and preceded the primarily surrealist publication Minotaure (1933 to 1939).
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