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Music journalist Richie Unterberger commented on the adaptability of blues: "From its inception, the blues has always responded to developments in popular music as a whole: the use of guitar and piano in American folk and gospel, the percussive rhythms of jazz, the lyrics of Tin Pan Alley, and the widespread use of amplification and electric ...
There are few keys in which one may play the progression with open chords on the guitar, so it is often portrayed with barre chords ("Lay Lady Lay"). The use of the flattened seventh may lend this progression a bluesy feel or sound, and the whole tone descent may be reminiscent of the ninth and tenth chords of the twelve bar blues (V–IV).
Around this time he was quoted as saying of the backing bands who accompanied him, "those British boys want to play the blues real bad, and they do". [ 17 ] Sonny Boy took a liking to the European fans, and while there had a custom-made, two-tone suit tailored personally for him, along with a bowler hat, matching umbrella, and an attaché case ...
"Come and Get Your Love" is a song by the American rock band Redbone. [4] The song was originally released as a promo track under the name " Hail " and was later featured on their fifth album, Wovoka (1973), under its current name.
The blues scale is often used in popular songs like Harold Arlen's "Blues in the Night", blues ballads like "Since I Fell for You" and "Please Send Me Someone to Love", and even in orchestral works such as George Gershwin's "Rhapsody in Blue" and "Concerto in F". Gershwin's second "Prelude" for solo piano is an interesting example of a ...
Earl Zebedee Hooker (January 15, 1930 – April 21, 1970) [1] was a Chicago blues guitarist known for his slide guitar playing. Considered a "musician's musician", [2] he performed with blues artists such as Sonny Boy Williamson II, Junior Wells, and John Lee Hooker and fronted his own bands.
In the early 1950s blues music was largely known in Britain through blues-influenced boogie-woogie, and the jump blues of Fats Waller and Louis Jordan. [9] Imported recordings of American artists were brought over by African American servicemen stationed in Britain during and after World War II, merchant seamen visiting the ports of London, Liverpool, Newcastle on Tyne and Belfast, and in a ...
"Statesboro Blues" is a Piedmont blues song written by Blind Willie McTell, who recorded it in 1928. The title refers to the town of Statesboro, Georgia. In 1968, Taj Mahal recorded a popular blues rock adaptation of the song with a prominent slide guitar part by Jesse Ed Davis.