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The recording of "Theme from Love Story" by Henry Mancini was released as a single. It made its debut on Billboard's Easy Listening chart in the issue of the magazine dated December 19. [7] Two versions of "(Where Do I Begin?) Love Story"—one by Williams and one by Tony Bennett—were released on January 15, 1971. An article in the magazine's ...
The novel was released on February 14, 1970 (Valentine's Day), [1] along with segments of the story which appeared in The Ladies' Home Journal. [2] Love Story became the top-selling work of fiction for the duration of 1970 in the United States and was translated into more than 33 languages. [3]
A piano reduction or piano transcription is sheet music for the piano (a piano score) that has been compressed and/or simplified so as to fit on a two-line staff and be playable on the piano. It is also considered a style of orchestration or music arrangement less well known as contraction scoring , a subset of elastic scoring .
Betty Loo Taylor (February 27, 1929 – December 21, 2016) was an American jazz pianist and musician, known as Hawaii's "First Lady of Jazz." [1] She was the subject of the 2003 documentary, They Call Her Lady Fingers: The Betty Loo Taylor Story, by husband-and-wife filmmakers, Patricia Gillespie and Sam Polson.
In modern scores, the fingers are numbered from 1 to 5 on each hand: the thumb is 1, the index finger is 2, the middle finger is 3, the ring finger is 4 and the little finger is 5. Earlier usage varied by region. In Britain in the 19th century, the thumb was shown by a cross (+) or number 0 and the fingers were numbered from 1 to 4.
To change fingers on a key, the shorter finger is usually moved under the longer one in a quick motion. While finger substitution is a standard part of both piano and pipe organ pedagogy, performance practice experts argue that it was rarely done before the 18th century; instead, players simply relocated the hand or fingers to a new position.
The standard tuning, without the top E string attached. Alternative variants are easy from this tuning, but because several chords inherently omit the lowest string, it may leave some chords relatively thin or incomplete with the top string missing (the D chord, for instance, must be fretted 5-4-3-2-3 to include F#, the tone a major third above D).
The effect had been prefigured by composers including Francesco Pollini (1762–1846), a pupil of Mozart, whose 32 esercizi for the piano (1829), based on techniques found in the keyboard music of Johann Sebastian Bach and Jean-Philippe Rameau, included music written on three staves, and using interlocking hand positions, to generate the impression of three, or even four, hands.
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