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The Blues for Alice changes, Bird changes, Bird Blues, or New York Blues changes, is a chord progression, often named after Charlie Parker ("Bird"), which is a variation of the twelve-bar blues. The progression uses a series of sequential ii–V or secondary ii–V progressions, and has been used in pieces such as Parker's " Blues for Alice ".
New York Girls", also known as "Can't You Dance the Polka," is a traditional sea shanty. [1] It has a Roud Folk Song Index number of 486. [ 2 ] It was collected by W. B. Whall in the 1860s. [ 3 ]
"Midsummer New York" was later included in Ono's compilation albums Onobox and Walking on Thin Ice. [8] [9] It was also used in Ono's musical New York Rock. [10] An alternate version from the Fly recording sessions was released in 2018 as a bonus track on the Japanese Edition of Warzone. [11]
Common chords are frequently used in modulations, in a type of modulation known as common chord modulation or diatonic pivot chord modulation. It moves from the original key to the destination key (usually a closely related key) by way of a chord both keys share. For example, G major and D major have 4 chords in common: G, Bm, D, Em.
In contrast, in the chord-scale system, a different scale is used for each chord in the progression (for example mixolydian scales on A, E, and D for chords A 7, E 7, and D 7, respectively). [5] Improvisation approaches may be mixed, such as using "the blues approach" for a section of a progression and using the chord-scale system for the rest. [6]
Sheet music for "New York, New York" from On the Town "New York, New York" is a song from the 1944 musical On the Town and the 1949 MGM musical film of the same name. The music was written by Leonard Bernstein and the lyrics by Betty Comden and Adolph Green. A well known line of this song is: New York, New York, a helluva town.
A contrafact is a musical composition built using the chord progression of a pre-existing song, but with a new melody and arrangement. Typically the original tune's progression and song form will be reused but occasionally just a section will be reused in the new composition. The term comes from classical music and was first applied to jazz by ...
"King of New York" by Schoolly D "King of New York" from the soundtrack to Newsies "King of N.Y." by Fat Joe "King of My City" by A Boogie wit da Hoodie "King of the Cops" by Billy Howard "King of the New York Streets" by Dion "King's Road" by Tom Petty "Kirby Plaza" by Lisa Coleman And Wendy Melvoin "Kiss And Tell" by Bryan Ferry