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  2. I–V–vi–IV progression - Wikipedia

    en.wikipedia.org/wiki/I–V–vi–IV_progression

    It does not accurately represent the chord progressions of all the songs it depicts. It was originally written in D major (thus the progression being D major, A major, B minor, G major) and performed live in the key of E major (thus using the chords E major, B major, C♯ minor, and A major). The song was subsequently published on YouTube. [9]

  3. Common chord (music) - Wikipedia

    en.wikipedia.org/wiki/Common_chord_(music)

    Common chords are frequently used in modulations, in a type of modulation known as common chord modulation or diatonic pivot chord modulation. It moves from the original key to the destination key (usually a closely related key) by way of a chord both keys share. For example, G major and D major have 4 chords in common: G, Bm, D, Em.

  4. Float On (Modest Mouse song) - Wikipedia

    en.wikipedia.org/wiki/Float_On_(Modest_Mouse_song)

    "Float On" is a song by American rock band Modest Mouse, released on March 8, 2004, as the lead single from their fourth studio album, Good News for People Who Love Bad News (2004). The song topped the US Billboard Modern Rock Tracks chart and was nominated for a Grammy Award for Best Rock Song in 2005 .

  5. Arpeggio - Wikipedia

    en.wikipedia.org/wiki/Arpeggio

    An arpeggio for the chord of C major going up two octaves would be the notes (C, E, G, C, E, G, C). In musical notation, a very rapid arpeggiated chord may be written with a wavy vertical line in front of the chord. Typically these are read as to be played from the lowest to highest note, though composers may specify a high to low sequence by ...

  6. Triad (music) - Wikipedia

    en.wikipedia.org/wiki/Triad_(music)

    Triads (or any other tertian chords) are built by superimposing every other note of a diatonic scale (e.g., standard major or minor scale). For example, a C major triad uses the notes C–E–G. This spells a triad by skipping over D and F. While the interval from each note to the one above it is a third, the quality of those thirds varies ...

  7. ii–V–I progression - Wikipedia

    en.wikipedia.org/wiki/Ii–V–I_progression

    The ii 7 –V 7 –I maj7 progression provides smooth voice leading between the thirds and sevenths of these chords; the third of one chord becomes the seventh of the next chord, and the seventh of one chord moves down a half-step to become the third of the next chord.

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