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Mexican mask-folk art refers to the making and use of masks for various traditional dances and ceremony in Mexico. Evidence of mask making in the region extends for thousands of years and was a well-established part of ritual life in the pre-Hispanic territories that are now Mexico well before the Spanish conquest of the Aztec Empire occurred.
The Huichol have a long history of beading, making the beads from clay, shells, corals, seeds and more and using them to make jewelry and to decorate bowls and other items. The "modern" beadwork usually consists of masks and wood sculptures covered in small, brightly colored commercial beads fastened with wax and resin.
The worship of death involved worship of life, while the skull – symbol of death – was a promise to resurrection. The Aztecs carved skulls in monoliths of lava, and made masks of obsidian and jade. Furthermore, the skull motif was used in decoration. They were molded on pots, traced on scrolls, woven into garments, and formalized into ...
Wood and fiber crafts for sale at the municipal market in Pátzcuaro. Dolls made of cartonería from the Miss Lupita project.. Mexican handcrafts and folk art is a complex collection of items made with various materials and fashioned for utilitarian, decorative or other purposes, such as wall hangings, vases, toys and items created for celebrations, festivities and religious rites. [1]
The tradition of mask-making was popularised by Buddeshwar, who is venerated as the first mask maker of Charida. In Charida, there is also a statue of Buddeshwar. He is said to have created the first male and female masks, known as Kirat and Kiratni, representing forms of Shiva and Parvati. This was a turning point in the history of mask-making ...
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A calavera (Spanish – pronounced [kalaˈβeɾa] for "skull"), in the context of the Day of the Dead, is a representation of a human skull or skeleton. The term is often applied to edible or decorative skulls made (usually with molds) from either sugar (called Alfeñiques ) or clay, used in the Mexican celebration of the Day of the Dead ...
The masks are worn throughout very long performances and are consequently very light. The nō mask is the supreme achievement of Japanese mask-making. Nō masks represent gods, men, women, madmen and devils, and each category has many sub-divisions. Kyōgen are short farces with their own masks, and accompany the tragic nō plays.
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