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The New Wave (French: Nouvelle Vague, French pronunciation: [nuvɛl vaɡ]), also called the French New Wave, is a French art film movement that emerged in the late 1950s. The movement was characterized by its rejection of traditional filmmaking conventions in favor of experimentation and a spirit of iconoclasm .
The New Wave, French New Wave, or Nouvelle Vague, the inaugural New Wave cinema movement; Australian New Wave; Indian New Wave, or Parallel cinema; Japanese New Wave, or Nuberu Bagu, which also developed around the same time as the French Nouvelle Vague; Persian New Wave, or Iranian New Wave, started in the 1960s; New German Cinema, new wave of ...
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Luc Moullet (French:; born 14 October 1937 in Paris) is a French film critic and filmmaker, and a member of the Nouvelle Vague or French New Wave. [1] Moullet's films are known for their humor, anti-authoritarian leanings and rigorously primitive aesthetic, which is heavily influenced by his love of American B-movies.
Le Beau Serge is considered the inaugural film of the French New Wave Film movement that would peak between 1959 and 1962. Chabrol was the first of his friends to complete a feature film (although Jacques Rivette had already begun filming his first feature Paris nous appartient ), and it immediately received critical praise and was a box office ...
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New Hollywood, music videos, French New Wave Cinéma du look ( French: [sinema dy luk] ) was a French film movement of the 1980s and 1990s, analysed, for the first time, by French critic Raphaël Bassan in La Revue du Cinéma issue no. 449, May 1989, [ 1 ] in which he classified Luc Besson , Jean-Jacques Beineix and Leos Carax as directors of ...