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Elgar and Beatrice Harrison making the first (abridged) recording of the concerto (1920). Note the acoustic recording horns. Harrison would go on to make the first complete recording in 1928. Edward Elgar's Cello Concerto in E minor, Op. 85, his last major completed work, is a cornerstone of the solo cello repertoire.
Cello Concerto No. 3 for cello and 8 cellos (1995) Julius Rietz. Cello Concerto (1830s) Wolfgang Rihm. Monodram for Cello and Orchestra (1982–1983) Styx und Lethe for Cello and Orchestra (1997–1998) Konzert in einem Satz for Cello and Orchestra (2005–2006) Jean Rivier. Cello Concerto (1927) Hayden Roberts Cello Concerto (2019) Yann Robin ...
Cello Concerto No. 3 in C major (lost) Cello Concerto No. 4 in D major (spurious, written by Giovanni Battista Costanzi) Cello Concerto No. 5 in C major (spurious, written by David Popper) [1] Cello Concerto in G minor (doubtful, lost) Paul Hindemith. Cello Concerto in E-flat major, Op. 3 (1916) Kammermusik No. 3 for cello and 10 instruments ...
Elgar's popular concerto, while written in the early 20th century, belongs to the late romantic period stylistically. 20th century: An important factor for the 20th-century cello concerto was the rise of virtuoso cellist Mstislav Rostropovich. His outstanding technique and passionate playing prompted dozens of composers to write pieces for him ...
Cello Concerto in E minor: concertante: cello and orchestra: Sidney and Frances Colvin — Novello 86: 1921–22: Fantasia and Fugue in C minor : arrangement: transcription for orchestra, Fantasia 1921, Fugue 1922 — — Novello 87: 1930: The Severn Suite: brass band: transcribed for orchestra (1932)) 1. Introduction (Worcester Castle) 2 ...
The first concerto is widely considered to be one of the most difficult concert works for cello, along with the Sinfonia Concertante of Sergei Prokofiev, with which it shares certain features (such as the prominent role of isolated timpani strokes). Shostakovich said that "an impulse" for the piece was provided by his admiration for that ...
Compositions from the late 19th and early 20th century include three cello sonatas (including the Cello Sonata in C Minor written in 1880) by Dame Ethel Smyth (1858–1944), Edward Elgar's Cello Concerto in E minor, Claude Debussy's Sonata for Cello and Piano, and unaccompanied cello sonatas by Zoltán Kodály and Paul Hindemith.
The concerto was seldom played afterwards, until Prokofiev heard Rostropovich play it at a 1947 concert at the Moscow Conservatory. The performance reawakened Prokofiev's interest in the cello, and he rewrote his concerto (with advice from Rostropovich) to create the Symphony-Concerto (Op. 125) .
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