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Guṇa is both a root and a word in Sanskrit. Its different context-driven meanings are derived from either the root or the word. In verse VI.36 of Nirukta by Yāska, a 1st millennium BC text on Sanskrit grammar and language that preceded Panini, Guṇa is declared to be derived from another root Gaṇa, [16] which means "to count, enumerate". [17]
Three Hundred Rāmāyaṇas is a scholarly essay that summarizes the history of the Rāmāyaṇa and its spread across India and Asia over a period of 2,500 years or more. . It seeks to demonstrate factually how the story of Rama has undergone numerous variations while being transmitted across different languages, societies, geographical regions, religions, and historical perio
In this play Rama's sons Lava and Kusha fight with army of Rama who protect horse of Ashwamedha. only Three mss of this play survived. It is very rare play because only four play are based on uttara-ramayana. Chalita-Rama based on Rama's later life written in 9th century. In this play surpanakha planned plot and sita exiled But today we not ...
On being asked to prove his devotion to Rama, Hanuman tears his chest open and to everyone's surprise, there is an image of Rama and Sita inside his chest. Rama rules Ayodhya and the reign is called Rama-Rajya (a place where the common folk are happy, fulfilled, and satisfied). Then Valmiki trained Lava and Kusha in archery and succeeded to the ...
A third individual named Rama Jamadagnya is the purported author of hymn 10.110 of the Rigveda in the Hindu tradition. [25] The word Rama appears in ancient literature in reverential terms for three individuals: [25] Parashu-rama, as the sixth avatar of Vishnu. He is linked to the Rama Jamadagnya of the Rigveda fame.
The Hindu figure of Rama is often presented as an ideal man, representing the epitome of righteousness, compassion, duty, sacrifice, and leadership, making him an enduring symbol of ethical and moral conduct. [1] Rama's adherence to righteousness, or dharma, is a central aspect of his symbolism as an
During Rama Navami, reading or listening from literature about Rama is a common practice. Reading the entire Ramayana (Hindu epic entailing the adventures of Rama) [24] for a week leading up to Rama Navami is organized. [5] [12] The earliest version of the text was composed by the sage Valmiki. [10]
Ishvara is the substantive part of Brahman, while jivas and jagat are its modes (also secondary attributes), and kalyana-gunas (auspicious attributes) are the primary attributes. The secondary attributes become manifested in the effect state when the world is differentiated by name and form. The kalyana-gunas are eternally manifest.