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The Renaissance has a long and complex historiography, and in line with general skepticism of discrete periodizations, there has been much debate among historians reacting to the 19th-century glorification of the "Renaissance" and individual cultural heroes as "Renaissance men", questioning the usefulness of Renaissance as a term and as a ...
Renaissance – cultural movement that spanned roughly the 14th to the 17th century, beginning in Italy in the Late Middle Ages and later spreading to the rest of Europe. The term is also used more loosely to refer to the historical era , but since the changes of the Renaissance were not uniform across Europe, this is a general use of the term.
Renaissance literature refers to European literature which was influenced by the intellectual and cultural tendencies associated with the Renaissance.The literature of the Renaissance was written within the general movement of the Renaissance, which arose in 14th-century Italy and continued until the mid-17th century in England while being diffused into the rest of the western world. [1]
He claims that the Renaissance was in fact a period when thought declined significantly and brought to an end a period of advance in the Late Middle Ages and that the twelfth century was the "real, true, and unqualified renaissance". For example, the rediscovery of ancient knowledge, which the later Italian humanists claimed for themselves, was ...
The English Renaissance was a cultural and artistic movement in England during the late 15th, 16th and early 17th centuries. [1] It is associated with the pan-European Renaissance that is usually regarded as beginning in Italy in the late 14th century.
The nature of the Renaissance also changed in the late 15th century. The Renaissance ideal was fully adopted by the ruling classes and the aristocracy. In the early Renaissance artists were seen as craftsmen with little prestige or recognition. By the later Renaissance, the top figures wielded great influence and could charge great fees.
The Ottonian Renaissance was a limited renaissance of logic, science, economy and art in central and southern Europe that accompanied the reigns of the first three emperors of the Saxon Dynasty, all named Otto: Otto I (936–973), Otto II (973–983), and Otto III (983–1002), and which in large part depended upon their patronage.
Paragone (Italian: paragone, meaning comparison), was a debate during the Italian Renaissance in which painting and sculpture (and to a degree, architecture) were each championed as forms of art superior and distinct to each other. [1]