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English: Palm leaf etching is a traditional form of art from Odisha. Palm leaves are dried, soaked in water, dried again and pressed to be made straight. A metallic (mostly Iron) stylus (called Lekhani in Odia) is used for writing on it. Natural colors (made from wood apple paste and charcoal) is applied on the written text or picture.
The fourth instar larvae are stouter and longer measuring 4.5 to 5.0 cm. During the fifth instar, the larvae become more brownish than greyish and measure 7.0 to 7.5 cm in length. Larvae of the palm king are voracious feeders. Most of the time, they remain on the underside of the leaf, eating from the tip of the leaf working towards the base.
The palm leaf manuscript shows all signs of age-related decay. Further, the order of the pages are a bit jumbled as the text does not flow from one page to another, but is more meaningfully connected to a distant page inside the book.
Palm leaf pattachitra which is in Oriya language known as Tala Pattachitra drawn on palm leaf. First of all palm leaves are left for becoming hard after being taken from the tree. Then these are sewn together to form like a canvas. The images are traced by using black or white ink to fill grooves etched on rows of equal-sized panels of palm ...
The Palm Leaf by William-Adolphe Bouguereau (1825–1905), portrait of an unidentified woman in ancient dress. The palm branch, or palm frond, is a symbol of victory, triumph, peace, and eternal life originating in the ancient Near East and Mediterranean world.
This palm species has a trunk 3.5–4 metres (11–13 ft) high and up to a full meter (40 inches) thick, and the palmate leaves are even larger, with petioles up to 8.8 metres (29 ft) long [2] (exceeded only by Musa ingens and Lodoicea) and canaliculated (round in cross-section with a deep groove on the upper surface).
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