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A View to a Kill is a 1985 spy film, the fourteenth in the James Bond series produced by Eon Productions, and the seventh and final appearance of Roger Moore as the fictional MI6 agent James Bond. Although the title is adapted from Ian Fleming 's 1960 short story " From a View to a Kill ", the film has an entirely original screenplay.
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A View to a Kill is a 1985 James Bond film. A View to a Kill may also refer to: "A View to a Kill" (song), the film's theme song by Duran Duran; A View to a Kill, a soundtrack album from the film; A View to a Kill, two 1985 computer games based on the film "From a View to a Kill", a James Bond short story by Ian Fleming, from the 1960 ...
"From a View to a Kill" also gave part of its title (but no characters or plot elements) to the fourteenth Bond film, A View to a Kill (1985). Plot elements from "The Hildebrand Rarity" were used in the sixteenth Bond film, Licence to Kill (1989), and the title is referenced in the twenty-fourth Bond film, Spectre (2015).
The theme song "A View to a Kill", was written by John Barry and Duran Duran, and was recorded in London with a 60-piece orchestra. "A View to a Kill" is the most successful Bond theme to date. In 1986 Barry and Duran Duran were nominated for the Golden Globe Award for Best Original Song.
"A View to a Kill" is a song by the English pop rock band Duran Duran, released on 7 May 1985. Written and recorded as the theme for the James Bond film of the same name , it became one of the band's biggest hits.
Licence to Kill is a 1989 spy film, the sixteenth in the James Bond series produced by Eon Productions, and the second and final film to star Timothy Dalton as the MI6 agent James Bond. In the film, Bond resigns from MI6 in order to take revenge against the drug lord Franz Sanchez, who ordered an attack against Bond's CIA friend Felix Leiter ...
They note, however, that after her heroic stand against Zorin, she seems to spend the remainder of the film wailing, "Help me, James." [ 5 ] Similarly, Mark O'Connell describes Sutton as "very much in the Mary Goodnight camp of the simpering, shrieking and not very resourceful Bond girl as set out in The Man with the Golden Gun ."