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Its name is a calque of orbis alius (Latin for "other world/side"), a term used by Lucan in his description of the Celtic Otherworld. Comparable religious, mythological or metaphysical concepts, such as a realm of supernatural beings and a realm of the dead, are found in cultures throughout the world. [1]
When heteroglossia is incorporated into the novel, it is "another's speech in another's language, serving to express authorial intentions but in a refracted way". [3] Bakhtin proposes that these stratifications of language represent distinct points of view on the world, characterized by their own meanings and values.
Nietzsche introduces the concept of the Übermensch in contrast to his understanding of the other-worldliness of Christianity: Zarathustra proclaims the will of the Übermensch to give meaning to life on earth, and admonishes his audience to ignore those who promise other-worldly fulfillment to draw them away from the earth. [7] [8]
Upādāna is the Sanskrit and Pāli word for "clinging", "attachment" or "grasping", although the literal meaning is "fuel". [4] Upādāna and taṇhā (Skt. tṛṣṇā) are seen as the two primary causes of dukkha ('suffering', unease, "standing unstable").
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Single-author writing or collegial: one person is leading, they compile the group ideas and do the writing. [11] [12] Sequential writing: each person adds their task work then passes it on for the next person to edit freely. [11] Horizontal-division or parallel writing: each person does one part of the whole project and then one member compiles it.
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In contemporary literary studies, a theme is a central topic, subject, or message within a narrative. [1] Themes can be divided into two categories: a work's thematic concept is what readers "think the work is about" and its thematic statement being "what the work says about the subject". [2]