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Digital8 is the most recent 8mm video format. It retains the same physical cassette shell as its predecessors, and can even record onto Video8 (not recommended) or Hi8 cassettes. However, the format in which video is encoded and stored on the tape itself is the entirely digital DV format (and thus very different from the analog Video8 and Hi8 ...
Super 8mm film cameras do not need to use the Super 8mm film produced by Kodak, but other film stocks produced by companies such as Fujifilm and independents (in the form of re-packaged film) are compatible. The only difference to the films is the cartridge used to insert them into the camera. All lengths of film sold are of 50 ft (15 m) lengths.
Similar to the Techniscope cameras of the 1960s, UltraPan 8 achieves wider aspect ratios generally reserved for camera systems with anamorphic lenses through manipulating film negative exposure instead of light capture. The area of film exposed per frame is 10.52 mm × 3.75 mm, having an aspect ratio of 2.8:1.
Super 8 and 8 mm film formats – magnetic sound stripes are shown in gray. Super 8 mm film is a motion-picture film format released in 1965 [1] [2] [3] by Eastman Kodak as an improvement over the older "Double" or "Regular" 8 mm home movie format.
In 1963, it got even better when the addition of a magnetic strip made it possible to record audio along with video. New cassette-based formats would soon render both 8mm and Super 8mm films obsolete.
Super 8 was criticized because the film gates in some cheaper Super 8 cameras were plastic, as was the pressure plate built into the cartridge; while the standard 8 cameras had a permanent metal film gate that was regarded as more reliable in keeping the film flat and the image in focus. In reality, this was not the case, since the plastic ...
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