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Ars Poetica: a poem that explains the 'art of poetry', or a meditation on poetry using the form and techniques of a poem. [1] Aubade: a love poem welcoming or lamenting the arrival of the dawn. Example: “The Sun Rising” by John Donne. [1] Deep image; Didactic; Dramatic monologue
The general definition of a qubit as the quantum state of a two-level quantum system.In quantum computing, a qubit (/ ˈ k juː b ɪ t /) or quantum bit is a basic unit of quantum information—the quantum version of the classic binary bit physically realized with a two-state device.
In poetry, they act as non-verbal tools of poetic expression. A form of artistic choice, the poet's choice of punctuation is central to our understanding of poetic meaning because of its ability to influence prosody. The unorthodox use of punctuation increases the expressive complexity of poems, or may be used to align poetic metres.
Old English metre is the conventional name given to the poetic metre in which English language poetry was composed in the Anglo-Saxon period. The best-known example of poetry composed in this verse form is Beowulf , but the vast majority of Old English poetry belongs to the same tradition.
In English poetry, feet are determined by emphasis rather than length, with stressed and unstressed syllables serving the same function as long and short syllables in classical metre. The basic unit in Greek and Latin prosody is a mora, which is defined as a single short syllable. A long syllable is equivalent to two morae.
In English poetry, Edward Fitzgerald composed in a combination of anacreontics and ionics. [18] An example of English ionics occurs in lines 4 and 5 of the following lyric stanza by Thomas Hardy: The pair seemed lovers, yet absorbed In mental scenes no longer orbed By love's young rays. Each countenance Às ìt slówlý, às ìt sádlý
Iambic pentameter is the most common meter in English poetry. It was first introduced into English by Chaucer in the 14th century on the basis of French and Italian models. It is used in several major English poetic forms, including blank verse, the heroic couplet, and some of the traditionally rhymed stanza forms.
Though some English poets attempted quantitative effects in their verse, quantity is not phonemic in English. So, imitations of the Sapphic stanza are typically structured by replacing long with stressed syllables, and short with unstressed syllables (and often additional alterations, as exemplified below).