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While the art can be realistic or cartoonish, characters often have large eyes (female characters usually have larger eyes than male characters), small noses, tiny mouths, and flat faces. Psychological and social research on facial attractiveness has pointed out that the presence of childlike, neotenous facial features increases attractiveness ...
An attraction towards bishōjo characters is a key concept in otaku (manga and anime fan) subculture. The development of the bishōjo aesthetic in manga of the early 1980s marked a departure from previous realistic styles, and the emergence of the aesthetic of "cute eroticism" (kawaii ero) and moe.
Tezuka is a central figure in anime and manga history, whose iconic art style and character designs allowed for the entire range of human emotions to be depicted solely through the eyes. [68] The artist adds variable color shading to the eyes and particularly to the cornea to give them greater depth.
Tomo's best female friend, she is petite with dark hair tied in a side ponytail. Although she sometimes plays the straight man complement to Tomo and Junichiro, she is also very cunning and sadistic, often showing a devilish grin to Junichiro. She likes to mess with the two, even telling classmate Tanabe that she is the only one who is allowed ...
English: Manga-style eye, cropped from this Wikipe-tan drawn by ja:利用者:Kasuga and from this image by User:Dulcem and User:Hikin1987. Português: Olho no estilo dos mangás, retirado deste desenho da Wikipe-tan de ja:利用者:Kasuga e desta imagem de User:Dulcem e User:Hikin1987 .
Hitomi Kisugi, along with her older sister Rui and her younger sister Ai, run a café called "Cat's Eye" in Tokyo. The sisters lead a double life as a trio of highly skilled art thieves, stealing works of art which primarily belonged to their long-missing father, Michael Heinz, who was a famous art collector during the Nazi regime.
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Mikako Tokugawa, wife of Yoshinobu Tokugawa, with hikimayu A poster for the 1953 film Ugetsu.The woman in the foreground has hikimayu.. Hikimayu (引眉) was the practice of removing the natural eyebrows and painting smudge-like eyebrows on the forehead in pre-modern Japan, particularly in the Heian period (794–1185).