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Das Geheimnis der Marquisin (The Marquise's Secret, 1922) is a reversed, white-on-black silhouette film. Jack and the Beanstalk (1955), which Reiniger was forced to shoot in colour, uses full-colour painted backgrounds with the black silhouettes, some of which are inlaid with translucent, coloured, "sweet wrapper" material for a stained glass ...
The Adventures of Prince Achmed (1926) by Lotte Reiniger is a silhouette animation using armatured cutouts with backgrounds that were variously painted or composed of blown sand and even soap. No. 12, also known as Heaven and Earth Magic by Harry Everett Smith, completed in 1962, utilizes cut-out illustrations culled from 19th century catalogs.
Date/Time Thumbnail Dimensions User Comment; current: 10:01, 4 March 2015: 3,063 × 2,427 (53 KB): Medunta: I corrected the shapes of the characters in order to achieve 100% faithfulness to the original.
The animators' drawings are traced or photocopied onto transparent acetate sheets called cels, [61] which are filled in with paints in assigned colors or tones on the side opposite the line drawings. [62] The completed character cels are photographed one-by-one against a painted background by a rostrum camera onto motion picture film. [63]
A traditional silhouette portrait of the late 18th century. A silhouette (English: / ˌ s ɪ l u ˈ ɛ t /, [1] French:) is the image of a person, animal, object or scene represented as a solid shape of a single colour, usually black, with its edges matching the outline of the subject. The interior of a silhouette is featureless, and the ...
A cel, short for celluloid, is a transparent sheet on which objects are drawn or painted for traditional, hand-drawn animation. Actual celluloid (consisting of cellulose nitrate and camphor) was used during the first half of the 20th century. Since it was flammable and dimensionally unstable, celluloid was largely replaced by cellulose acetate.
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The earliest surviving animated feature film is the 1926 silhouette-animated Die Abenteuer des Prinzen Achmed (Adventures of Prince Achmed), which used colour-tinted film. [31] It was directed by German Lotte Reiniger and her husband Carl Koch. Walter Ruttmann created visual background effects.