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Since it allowed for the study of gloomy ideas, writing, and topics, Dark Romanticism had a huge effect on American literature. Dark Romanticism began as a response to the Transcendental movement of the mid-nineteenth century. This was a mental shift in thinking from rigid religious Puritan thought to a dark, immoral point of view. People were ...
The 1893 essay also mentioned the English writers Pater and Henley. A few years later adverts were placed for The Decadent Movement in Literature to be published imminently as a book in its own right. In 1896, an advert appeared in The Savoy, which Symons served as literary editor for and Leonard Smithers published. The advert, placed by ...
This can be reversed as a deliberate play on conventions, by having the evil character dress in white, as a symbol of their hypocrisy or arrogance. For example, Don Fanucci in The Godfather, Part II is an evil character, but wears an expensive all-white suit as a sign of his esteem, power and prestige.
Symbolism was a late 19th-century art movement of French and Belgian origin in poetry and other arts seeking to represent absolute truths symbolically through language and metaphorical images, mainly as a reaction against naturalism and realism. In literature, the style originates with the 1857 publication of Charles Baudelaire's Les Fleurs du mal.
Speak is written for young adults and middle/high school students. Labeled a problem novel, it centers on a character who gains the strength to overcome her trauma. [1] [2] The rape troubles Melinda as she struggles with wanting to repress the memory of the event, while simultaneously desiring to speak about it. [2]
Archetypal literary criticism is a type of analytical theory that interprets a text by focusing on recurring myths and archetypes (from the Greek archē, "beginning", and typos, "imprint") in the narrative, symbols, images, and character types in literary works.
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In Praise of Shadows (陰翳礼讃, In'ei Raisan) is a 1933 essay on Japanese aesthetics by the Japanese author Jun'ichirō Tanizaki. It was translated into English, in 1977, by the academic students of Japanese literature Thomas J. Harper and Edward Seidensticker. A new translation by Gregory Starr was published in 2017.