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This film is based on a true story about events in Belgrade in 1979. Jesen u mojoj ulici [1] Autmn on My Street: Miloš Pušić: Filip Đurić, Nikola Spasojević, Milica Trifunović, Nada Dobanović, Nikola Ilić: Comedy/Youth drama: Besa [1] Solemn Promise: Srđan Karanović: Miki Manojlović, Iva Krajnc, Radivoje Bukvić: Drama/Romance film ...
The Sisters (2011 film) Skinning (film) Slovenian Girl; Soldier's Lullaby; Some Birds Can't Fly; Special Education (film) Special Treatment (film) St. George Shoots the Dragon; Stitches (2019 film) Strange Girl (film) Super 8 Stories
The film opens with a faux newsreel—presented as a sardonic allusion to the Yugoslav state-owned Filmske novosti [] news organization's tone and delivery—reporting on the 27 June 1971 opening ceremony of the Tunnel of Brotherhood and Unity near an unnamed village in the Goražde municipality in eastern SR Bosnia-Herzegovina, constituent unit of the Yugoslav Federation.
For this film, Pavle Vuisić was awarded the Golden Arena. In 1972 Bata Živojinović played the role of his life in Valter Defends Sarajevo. Three years later the film was shown on Chinese national television, making Živojinović a film star in China. [25] In 1973, two films were made that performed very well at the box office.
St. George Slays the Dragon (Serbian: Свети Георгије убива аждаху / Sveti Georgije ubiva aždahu) is a Serbian war drama film directed by Srđan Dragojević and written by Dušan Kovačević. It was premiered on March 11, 2009.
The film follows the events and complicated relationships in an elementary school in Belgrade, and the seemingly central event is the retirement ceremony of the long-time cleaner Keva. On the day of the cleaner's retirement, an inspector comes to the school to investigate the complaint against the school's vice principal.
On the morning of 6 April 1941 in Belgrade, the capital of the Kingdom of Yugoslavia, two bon vivants, Petar Popara, nicknamed Crni (Blacky) and Marko Dren, head home.. They pass through Kalemegdan and shout salutes to Marko's brother Ivan, an animal keeper in the Belgrade
The film is mystifyingly abrupt in its transitions, but its effects, physical and intellectual, are unmistakably forceful and chilling. The director, Aleksandar Petrovic, with the aid of a sparse script and stunning photography by Tomislav Pinter, has pointed up war’s ravages as it affects one partisan’s fights in one small sector of the ...