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The sal tree (Shorea robusta) is often confused with the ashoka tree (Saraca indica) in the ancient literature of the Indian Subcontinent. [8] The position of the Salabhanjika is also related to the position of Queen Māyā of Sakya when she gave birth to Gautama Buddha under an asoka tree in a garden in Lumbini, while grasping its branch. [7]
Jains mainly maintain cult images of Arihants and Tirthankaras, who have conquered the inner passions and attained moksha. Yakshas and yakshinis are found in pair around the cult images of Jinas, serving as guardian deities. The yaksha is generally on the right-hand side of the Jina image while the yakshini is on the left-hand side. They are ...
Makhādeva – A tree-dweller converted by the Buddha when he was still a bodhisattva ☸; Maṇibhadra – A popular figure in Hinduism, Buddhism and Jainism ॐ☸卐; Mānuṣyayakṣa – One of thirteen yakshas given in the Jain Tattvārtha Bhāṣya 卐; Mārīca – Cursed to become a rakshasa by the sage Agastya ॐ
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Salabhanjika, Hoysala era sculpture, Belur, Karnataka, India. A salabhanjika or shalabhanjika is a term found in Indian art and literature with a variety of meanings. In Buddhist art, it means an image of a woman or yakshi next to, often holding, a tree, or a reference to Maya under the sala tree giving birth to Siddhartha (Buddha). [1]
Nang Ta-khian, related to the Hopea odorata (Ta-khian tree) in Thai folklore; Nang Tani, an ambiguous female spirit who lives in the Musa balbisiana (wild banana tree) Nariphon, a tree in Buddhist mythology which bears fruit in the shape of young female creatures; Penghou, an edible dog-shaped spirit in Chinese mythology; Pi-Fang, a Chinese ...
Fossil evidence from lignite mines in the Indian states of Rajasthan and Gujarat indicate that sal trees (or at least a closely related Shorea species) have been a dominant tree species of forests of the Indian subcontinent since at least the early Eocene (roughly 49 million years ago), at a time when the region otherwise supported a very different biota from the modern day.
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