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The Overture in the French style, BWV 831, original title Ouvertüre nach Französischer Art, also known as the French Overture and published as the second half of the Clavier-Übung II in 1735 (paired with the Italian Concerto), is a suite in B minor for a two-manual harpsichord written by Johann Sebastian Bach.
Overture in the French style (Clavier-Übung II No. 2) B min. Harpsichord 3: 154 V/2: 20 after BWV 831a: 00969: 831a 8. 1727–1733 Overture in the French style (early version) C min. Keyboard V/2: 43 → BWV 831: 00970: 832 8. before 1707 Suite for keyboard: A maj. Keyboard 42: 255 V/10: 54 in Möllersche Handschrift: 00971: 833 8. before 1707
French Suites, BWV 812–817; Partitas for keyboard, BWV 825–830; Overture in the French style, BWV 831; Other: Miscellaneous suites, BWV 818–824; Miscellaneous suites and suite movements, BWV 832–845
The suites were later given the name 'French' (first recorded usage by Friedrich Wilhelm Marpurg in 1762). Likewise, the English Suites received a later appellation. The name was popularised by Bach's biographer Johann Nikolaus Forkel, who wrote in his 1802 biography of Bach, "One usually calls them French Suites because they are written in the French manner."
The plan was then revised to include a total of eight works: six Partitas in Part I (1731) and two larger works in Part II (1735), the Italian Concerto, BWV 971, and the Overture in the French style, BWV 831. The second of these is an eleven-movement partita, the largest such keyboard work Bach ever composed, and may in fact be the elusive ...
Tiento – Form of keyboard music similar to the fantasia, known for its intricate counterpoint. Toccata – Piece typically for a keyboard or plucked string instrument, characterized by fast-moving or virtuosic passages. Villancico – Spanish song or lyrical poetry, often associated with rustic and popular themes.
The two keyboard works are among the few Bach published, and he prepared the lute suite for a "Monsieur Schouster," presumably for a fee, so all three may attest to the form's popularity. Scholars believe that Bach did not conceive of the four orchestral suites as a set (in the way he conceived of the Brandenburg Concertos ), since the sources ...
Brought on by Impressionism, the piano suite was reintroduced by early 20th-century French composers such as Ravel and Debussy. Debussy's Pour le piano is a suite in three movements, published in 1901, and his Suite bergamasque, revised in 1905, is probably one of the most famous suites, especially the third movement, Clair de Lune.
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