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The Overture in the French style, BWV 831, original title Ouvertüre nach Französischer Art, also known as the French Overture and published as the second half of the Clavier-Übung II in 1735 (paired with the Italian Concerto), is a suite in B minor for a two-manual harpsichord written by Johann Sebastian Bach.
The two keyboard works are among the few Bach published, and he prepared the lute suite for a "Monsieur Schouster," presumably for a fee, so all three may attest to the form's popularity. Scholars believe that Bach did not conceive of the four orchestral suites as a set (in the way he conceived of the Brandenburg Concertos ), since the sources ...
Overture in the French style (Clavier-Übung II No. 2) B min. Harpsichord 3: 154 V/2: 20 after BWV 831a: 00969: 831a 8. 1727–1733 Overture in the French style (early version) C min. Keyboard V/2: 43 → BWV 831: 00970: 832 8. before 1707 Suite for keyboard: A maj. Keyboard 42: 255 V/10: 54 in Möllersche Handschrift: 00971: 833 8. before 1707
The suites were later given the name 'French' (first recorded usage by Friedrich Wilhelm Marpurg in 1762). Likewise, the English Suites received a later appellation. The name was popularised by Bach's biographer Johann Nikolaus Forkel, who wrote in his 1802 biography of Bach, "One usually calls them French Suites because they are written in the French manner."
The French overture is a musical form widely used in the Baroque period. Its basic formal division is into two parts, which are usually enclosed by double bars and repeat signs. Its basic formal division is into two parts, which are usually enclosed by double bars and repeat signs.
Those for solo keyboard the composer published as his Opus 1 (known as the Klavierübung I). One additional suite in B minor, the Overture in the French Style (often simply called French Overture) is sometimes also considered a partita. [2] See Partitas for keyboard (825–830) and choral partitas for organ.
The sequence continues into Clavier-Übung II with the Italian Concerto, a seventh down (E to F), and the French Ouverture, an augmented fourth up (F to B-natural). Thus the sequence of customary tonalities for 18th-century keyboard compositions is complete, extending from the first letter of his name (Bach's "home" key, B ♭ , in German is B ...
Opéra comique – French opera genre featuring both sung and spoken dialogue. Opera seria – Genre of opera with serious, often tragic themes. Operetta – Short opera, usually light-hearted and often containing spoken dialogue. Overture – Instrumental composition serving as an introduction to an opera or ballet.
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