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The William Farquhar Collection of Natural History Drawings consists of 477 watercolour botanical drawings of plants and animals of Malacca and Singapore by unknown Chinese (probably Cantonese) artists that were commissioned between 1819 and 1823 by William Farquhar (26 February 1774 – 13 May 1839). The paintings were meant to be of ...
Table featuring paintings by Thomas Cole; Image Title Year Medium Dimensions Collection Ref. Lake with Dead Trees [note 1] 1825 Oil on canvas 68.6 by 85.7 centimetres (27.0 in × 33.7 in) Allen Memorial Art Museum, Ohio [13] [14] View of Fort Putnam: 1825 Oil on canvas 69.2 by 86.4 centimetres (27.2 in × 34.0 in)
Lake with Dead Trees, also known as Catskill, is an oil-on-canvas painting completed in 1825 by Thomas Cole. Depicting a scene in the Catskill Mountains in southeastern New York State, this work is one of five of Cole's 1825 landscapes that initiated the mid-19th century American art movement known as the Hudson River School .
Juan Sánchez Cotán, Still Life with Game Fowl, Vegetables and Fruits (1602), Museo del Prado, Madrid. A still life (pl.: still lifes) is a work of art depicting mostly inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or human-made (drinking glasses, books, vases, jewelry, coins, pipes, etc.).
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While a few drawings were done in black ink or pencil, most were finely enhanced with watercolor. Many were published in Flora Parisiensis , [ 53 ] by Poiteau and Turpin (1808) and some by Turpin (and Ernestine Panckoucke ) in Flore médicale [ 54 ] by François-Pierre Chaumeton (1814–1820).
Robert Kipniss (born Brooklyn, New York, February 1, 1931) is an American painter and printmaker. His mature paintings, lithographs, mezzotints, and drypoints share stylistic characteristics and subject matter and typically depict trees seen close up or at varying distances in fields.
File information Description Pablo Picasso, 1919, Paysage (Landscape with Dead and Live Trees) (Paisaje con árbol muerto y vivo), oil on canvas, 49.4 x 65.4 cm, Bridgestone Museum of Art, Tokio.
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