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Ladrang form on the balugan instruments. GONG = gong ageng Play approximation without colotomy ⓘ. The kempyang and ketuk are two instruments in the gamelan ensemble of Indonesia, generally played by the same player, and sometimes played by the same player as the kenong.
It is played with the kendhang ketipung for kendhang kalih (lit. "double drum") style, which is used in faster tempos and less solemn pieces. Kendhang wayang is also medium-sized, and was traditionally used to accompany wayang performances, although now other drums can be used as well.
Talempong is a traditional musical instrument of the Minangkabau people of Western Sumatra, Indonesia.The talempong produce a static texture consisting of interlocking rhythms.
Gamelan siteran is a casual style of gamelan in Java, Indonesia, featuring portable, inexpensive instruments instead of the heavy bronze metallophones of a typical gamelan. A typical group consists of varieties of siter (small zither, which leads to the name), kendang (drum), and a large end-blown bamboo tube or a gong kemodhong, functioning as a gong ageng.
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Đàn bầu - monochord zither: often tuned C3, though tuning varies; Đàn đáy - long-necked three-stringed lute with trapezoidal body: tuned G3 C4; Đàn nguyệt (also called nguyệt cầm, đàn kìm or Quân tử cầm) - moon-shaped two-string lute: no fixed tuning; strings are tuned a 4th, 5th, or 7th (minor), derived from the Chinese yueqin
Ladrang form on the phrase making or colotomic instruments. p = kempyang, t = ketuk, ⋅ = pause, N = kenong, P = kempul, GONG = gong ageng. [1]Colotomy is an Indonesian description of the rhythmic and metric patterns of gamelan music.
Gordang sambilan is a kendang (Indonesian version of drum) musical instrument originating from North Sumatra, Indonesia. [1] Gordang sambilan consists of nine relatively large and long drums (drum chime) made of ingul wood and played by four people. The size and length of the nine drums are stratified, starting from the largest to the smallest.