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The four major town houses – Hôtel Tassel, Hôtel Solvay, Hôtel van Eetvelde, and Maison & Atelier Horta – located in Brussels and designed by the architect Victor Horta, one of the earliest initiators of Art Nouveau, are some of the most remarkable pioneering works of architecture of the end of the 19th century.
Stairway of the Hôtel Tassel, an early example of Gesamtkunstwerk. A Gesamtkunstwerk (German: [ɡəˈzamtˌkʊnstvɛʁk] ⓘ, literally 'total artwork', translated as 'total work of art', [1] 'ideal work of art', [2] 'universal artwork', [3] 'synthesis of the arts', 'comprehensive artwork', or 'all-embracing art form') is a work of art that makes use of all or many art forms or strives to do so.
The Hôtel Tassel (French: Hôtel Tassel; Dutch: Hotel Tassel) is a historic town house in Brussels, Belgium.It was designed by Victor Horta for the scientist and professor Emile Tassel, and built between 1892 and 1893, in Art Nouveau style.
The UNESCO commission recognised the Horta Museum as UNESCO World Heritage in 2000, as part of the listing 'Major Town Houses of the Architect Victor Horta': . The four major town houses—Hôtel Tassel, Hôtel Solvay, Hôtel van Eetvelde, and Maison & Atelier Horta—located in Brussels and designed by the architect Victor Horta, one of the earliest initiators of Art Nouveau, are some of the ...
The Art Nouveau movement of architecture and design first appeared in Brussels, Belgium, in the early 1890s, and quickly spread to France and to the rest of Europe.It began as a reaction against the formal vocabulary of European academic art, eclecticism and historicism of the 19th century, and was based upon an innovative use of new materials, such as iron and glass, to open larger interior ...
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Victor Horta was born in Ghent, Belgium, on 6 January 1861.His father was a master shoemaker, who, as Horta recalled, considered craftsmanship a high form of art. The young Horta began by studying music at the Royal Conservatory of Ghent.
The Belgian architect Victor Horta was among the first to introduce the whiplash curve into Art Nouveau architecture, particularly in the wrought iron stairways and complementary ceramic floors and painted walls of the Hôtel Tassel in Brussels (1892–93). The lines were inspired by the curving stems of plants and flowers.